Oh, wow! I was just browsing through the Private Shop when I saw that Private's latest movie parody is soon to be released, a take on 'Charlie's Angels'... ! This is like a dream come true... Jennifer Dark and Sandy Style, two of my current favourite models, are among the ass-kicking, latex-clad trio - perfect casting! - and they're joined by newcomer Mya Diamond. All this and Silvia Lancome... Does she get to play the villain?

I genuinely can't wait for this one... :-D

Here's a few lines from her recent interview (in Stars section):

P: So how did you get on in Sex Angels, did you have lots of great sex? Whatâ??s your role?
SL: Well in this movie I play a bad girl and I have to wear an eye patch, which I loved, I felt a bit like Daryl Hannah in Kill Bill Vol. 1 â?? have you see that? Sheâ??s mean!

P: Yeah, I loved that movie! So you liked playing the bad girl?
SL: Well I like to play roles where Iâ??m a dominant bitch and I got to wear shiny PVC crotchless knickers too, so I guess I do like the bad girl role, yeah!

Madboy 8)

Oh man!! i love Sandy :roll:

Review of 'Sex Angels'


Private has made Sex Angels the subject of a full promotional campaign, investing the film with a real sense of occasion. The marketing strategy includes:

- a Sex Angels mini-website with high-concept wallpapers;

- a DVD Special Edition;

- photo features in Private magazine #182 and Triple X #59;

- privileged Sex Angels entry buttons on the 'Other Titles' menu page of concurrent DVD releases;

- a dedicated page in the current catalogue,

- and banners in the on-line shop and members' site home page.

But does Xavi Dominguez's film live up to the expectations which all this hype has created? My answer is that it isn't quite the movie I expected, but I definitely enjoyed it and I'm happy to have added it to my collection.

The Hollywood Charlie's Angels blockbusters are fast-moving parodies of the original 70s TV series, and they're sexy and funny in equal measure. Dominguez pursues the parody too, but he limits it to a handful of set pieces of variable quality. Sex Angels is not the polished send-up that a Michael Ninn or a Michael Raven might have given us, and some of the post-production work could have been a little cleverer. Despite the fact that the Charlie's Angels connection is the main publicity hook for Sex Angels, Dominguez largely eschews aesthetic virtuosity in favour of gonzo-inflected porn. The movie's actual 'centre of gravity' is not glossy, post-modern play but bread-and-butter, back-to-basics sex, with touches of S&M to spice it all up. Having said that, Sex Angels boasts a stylish, explosive start...


Pre-credits sequence

A close imitation of the silhouetted, three-girl graphic logo used on the original TV show of Charlie's Angels flashes across the screen, in time to an accurate musical arrangement of the show's ascending six-note jingle. Next it's the logo for Private films - a parody of the trademark logo of Columbia Pictures - and then we move into a pre-credits action sequence.

Our three cat-suited Angels are first seen attempting to defuse a time-bomb. They aren't sure which coloured wire to cut; Jennifer Dark insists it's the blue one. She severs the wire but - silly bitch! - her choice was wrong! The girls have only a few seconds left to sprint to safety and dive for cover. The bomb explodes in a plume of orange, sending rubble flying over their heads. Moments later they look up and their faces are all smudged with soot. Mya and Sandy give annoyed glances to an embarrassed Jennifer and the credits begin to roll.

This 'teaser' certainly starts the film off with a bang. For the special effect of the explosion Dominguez makes impressive use of CGI and CSO (Colour Separation Overlay). On the 'Making Of' Extra, we see some of the filming for this sequence, with the three actresses leaping onto a mattress in front of a blue screen while foam blocks are tossed over their heads. The 'Making Of' commentator is over-egging it when he remarks, "The extreme danger of this type of scene meant that some sequences had to be filmed against a blue screen so as not to place the actors' lives in danger." As if Dominguez would actually have blown up a building!

All three actresses are well cast. (i) Sandy Style's look lends itself perfectly to the role of an all-American fit blonde chick, though she's closer to the Cheryl Ladd version than to Farrah Fawcett or Drew Barrymore. (ii) Tall girl Jennifer Dark is a sexy cross between Jaclyn Smith and Cameron Diaz. (iii) Mya Diamond explains in an 'Extras' interview that "I am Lucy Liu!", and she chuckles at her own cheeky audacity in making such a claim. She's Oriental like Lucy Liu, and follows Lucy's lead in making her character something of a dominatrix, but to me she also looks rather like Kate Jackson, one of the original three Angels.
Jennifer and Sandy immediately display a talent for performing sexy light comedy - especially Sandy - and Mya's droll delivery provides a nice contrast. It's just a shame that the throaty voice used to dub Jennifer's lines in an American accent isn't anywhere near as pretty as the girl herself.


Scene 1

After the credits the film proper begins with a scene set in Wally's Private Investigator's Agency. Jennifer and Mya sit on the sofa opposite the computer screen, waiting for a transmission from Wally. They're jealous of Sandy (Marcy) because she's in an adjoining bedroom fucking two guys and won't share. "Hi, Angels!" says a voice through the computer link, and Jennifer and Mya return Wally's greeting. "Where's Marcy?" he asks. At this point the two girls exchange knowing glances and we hear a comedy xylophone effect. Cut to Sandy - who's on her back being fucked naked with a cock in her mouth, her body gently rocking up and down. She gives the cock a slurping, lip-smacking kiss before releasing it from her mouth and turning her head to reply with a bored groan: "Yes, I'm listening, Wally..." The red end of the fellated penis nudges against the side of her cheek as she speaks, swaying with the motion of her face and body. As soon as she's reassured Wally that she's paying attention to his transmission she turns her head back to the cock and guzzles on it again...

Wally briefs the Angels about their next mission, which involves taking on a villain who's into martial arts, and tracking down his henchwoman Silvia Lancome (Tania). Wally stresses that the security of the world is at stake, but by now our only interest in the scene is in watching Sandy get a good seeing-to...

The sex is unrushed and Dominguez keeps each position in focus for some time, so there's plenty of opportunity to savour it. Sandy's firm round body fills the screen at every turn. Surprisingly there's no DP - this omission is unusual for a Private scene featuring two guys with a girl - but Sandy's arse does receive plenty of attention. Her panting, moaning noises are all authentic, since in this movie no dubbing is used for the sex itself. A wipe-screen transition takes us into a long finale where Sandy is seen positioned on her back with her legs thrown over her head. Her arse hole is left open and exposed. Guy #1 works his cock in and out of her anus and eventually he shoots over it. He penetrates Sandy again, pushing the trickling cum into her arse hole with his prick. Having been well and truly fucked, Sandy puts her head around the door with a happy smile and announces to the other Angels that now she's ready to make a start on the mission Wally's given them!

In this scene there are a couple of examples of what I mentioned earlier as a relative lack of polish. My first question is: whatever happened to Guy #2? He has effectively disappeared by the time of the finale. Just before Guy #1 ejaculates over Sandy's arse, a shot of Guy #2's cock in her mouth is inserted into the sequence from what looks like footage used earlier in the scene. Accompanying this insert are some unconvincing Guy #2 vocals - spoken out of frame and obviously added during post-production. These are intended to suggest that Guy #2 is cumming out of view, inside Sandy's mouth. We hear him splutter, "All inside! All inside!" but it looks and sounds fake - merely an excuse for the lack of a real second cumshot. The reality must have been that by the time of the finale Guy #2 was no longer around at all, and his absence remains a mystery! My second problem with this sex sequence is the inclusion on the soundtrack of a version of the Charlie's Angels musical theme: this track is too fast for the action we're seeing; it creates a gratuitous link to Charlie's Angels but it doesn't match the tempo of the sex. In summary, the scene is a good one, and an absolute 'must' for fans of Sandy Style - but it is flawed.

Scene 2

Mya Diamond follows a lead to Chinatown and infiltrates the Dojo Xin-Lu where she spies on an exciting ninjutsu contest between two stave-wielding experts. After their combat is concluded the martial artists repair to the changing room - and there they get naked and start flicking each other's butts with their towels like a pair of locker-room gay boys. Mya emerges and pulls her gun on them, so they raise their hands in surrender and drop their towels. The funniest moment of the film is provided by a shot which pans down the bodies of these startled 'Muscle Marys'. The camera reveals that they both have raging hard-ons which have broken the fall of the towels - the towels are now hanging suspended over their stiffies! As Mya trains her gun on the guys a vision of Confuscious appears in her head and he utters the following words of wisdom: "Before using violence, it is better to be a slut." Accordingly Mya puts down her gun and strips out of her cat suit, wiggling to a seductive piece of striptease jazz. What a fantastic pair of tits! Then she moves in on those cocks, slowly but surely.

The ninjutsu contest is an action highlight of the film, performed by experts based in Barcelona who are devotees of this martial art. But the characters portrayed by these masked contestants are subsequently assumed by the pair of playful, well-hung studs, whose naked changing-room frolics provide a camp anti-climax to the demonstration of ninjutsu we have just admired. The cameo by Confuscious is hilarious, and the claims to philosophical sophistication made on behalf of Mya Diamond by the presenter of the 'Making of' documentary are so over-the-top and lacking in irony that they, too, are laughable: "the legend of Confuscious, the voice of conscience which appears to Mya Diamond's character, one of the most sensitive roles in the history of adult cinema..."!!

Mya has a trim, toned body and it's a pleasure to watch her suck and fuck. This sex sequence has none of the shortcomings which I mentioned in relation to Scene 1. Both guys give of their all and there's a DP to boot. In the end a streak of cum decorates Mya's right tit, and plenty more jism is splashed over her face, neck and shoulder. Mya gobbles up the stringy cum like there's no tomorrow, but her mind is still on her mission... She grabs one of the exhausted studs by the balls and forces him to yield the next clue - a postcard from the Alps is concealed in his locker.

Scene 3

Jennifer Dark and Sandy Style seek out Silvia Lancome in a lesbian bar known as 'Inferno'. They aim to get some information from Silvia while masquerading as a lesbian couple, but they exchange apprehensive glances before making their entrance to the bar. What are they getting themselves into?

The Angels' 'femme-babe' looks soon attract the attention of the rowdy, loudmouthed dykes who line the bar, but our intrepid investigators have to brave it out and home in on their target, Silvia, who's perched on the end stool. Unlike the other butch patrons, Silvia is as cool as a cucumber. She's a bad-girl bitch with an eye-patch, laconically smoking a cigarette. In order to satisfy herself that Jennifer and Sandy really are dykes she tells them to kiss each other there and then. They respond by smooching tenderly, leaving their penchant for girl-on-girl lovin' beyond question.

Sandy is all of a fluster and excuses herself to go to the bathroom, a shadowy, curtained-off area. Two pairs of anonymous female hands reach out from the darkness to grope Sandy, and before long they've stripped her naked. Presumably a couple of the bar dykes have been waiting to ambush some fresh meat in this toilet, though one wonders if the hands don't actually belong to Jennifer Dark and Silvia Lancome. In any event the mysterious assailants fondle and paw at our helpless Angel, exploring every contour of her body. A strong orange light bathes Sandy's squirming form from the front, illuminating her erotic contortions and the sensual motions of the prying hands, so that every intimate action is visible to the viewer despite the shadowy background. Sandy is vigorously finger-fucked and the wet, squelching sounds make this a scene of aural as well as visual pleasure, complemented by the girl's rasping, ecstatic moans. By the time Sandy emerges from the bathroom to rejoin Jennifer and Silvia, 'Sex Angels' has definitely earned credentials as a porno with levels of chick-flick, lesbian appeal...

Scene 4

Scene 4 extends the movie's lesbian content into a fetish-style piece which would not be out of place in a Tanya Hyde movie. Wielding a crop, Silvia leads Sandy and Jennifer into a sinister back room of 'Inferno'. Heavy chains dangle from the ceiling, encircling the cental space into which the girls move. Silvia instructs the Angels to undress. She returns a little later wearing a menacing strap-on, the main novelty of the scene. Sandy and Jennifer suck on the dildo and then Silvia fucks the pair of them with it, stretching their arse holes so that by the end of the scene they admit they can hardly walk. As they leave 'Inferno' Silvia pulls up beside them in her car and enigmatically gives them a card which directs them to go on to 'The Hairdresser'. Meanwhile, Silvia has a plane ready to fly her to Switzerland...

Silvia Lancome is a convincing domme who really knows how to use the strap-on, and Sandy and Jennifer are hot in their sub roles. They rise happily to the demands of a steamy girl-on-girl scene, especially when kissing each other. Nevertheless I feel that sequences where girls fellate dildos are rather pointless: Sandy and Jennifer lick and suck the strap-on with skill and artistry, but a dildo has no nerve-ends to tingle!

There are, again, some soundtrack oddities in this scene. Techno music is used as a backing track but it's too fast and strident for the action. Although the volume of this track is brought down for much of the time, it remains rather distracting. There is also some discontinuity with regard to the voice work. During the preliminary dialogue the actresses' lines are dubbed with American accents. This is the case in every scene, but as soon as the sex sequences begin the girls' voices are no longer dubbed. If the characters continue to speak during the heat of the sexual action it's the performers' own voices that we hear then. The actresses use the English language but obviously they have East European accents - Czech in the cases of Sandy and Jennifer; Slovakian in the case of Silvia. This begins to create a continuity difficulty, especially around the voice of Silvia's character. By the time we're into Scene 5 the transition from the dubbed voice to Silvia's own voice is overly crude, a major distraction. The problem is also to do with sound mixing: it's not just the change of voice and accent which is jarring, but the abrupt difference in sound levels which goes with this change.

My final reservation about Scene 4 is the 'look' given to Jennifer Dark. Jennifer is one of my favourite Private models and she is a naturally beautiful girl, but is she presented here as well as she could be? This is possibly just a cultural thing, but as a U.K. viewer it seems to me that her look in Scene 4 is a bit 'council estate' or 'chav' - the large round earrings, the 'real girl' facial complexion complete with a pimple on the cheek, the hair gelled and scraped back in a bun with a few strands around the forehead... I much prefer it part way through the scene when she lets her hair down and it hangs wildly around her face. The Charlie's Angels conceit might have inspired some far more glossy work on stylings and fashion, exploiting seventies retro chic. Is Tania Russof still out there working as a make-up artist? Where are you when we need you?! I should add that my feelings here about Jennifer Dark's costume and make-up are a secondary issue, as her performances remain, for me, a main attraction of this film.

Scene 5

After the dark interiors of 'Inferno', Dominguez takes us out on location to the expansive, snow-covered landscape of what is meant to be the Swiss Alps. (It's actually the Spanish Pyrenees.) A lone snowboarder is pursued by two skiers in a beautifully-shot, sweeping action sequence which fully exploits this spectacular location and imitates the ski chase sequences in classic James Bond movies such as On Her Majesty's Secret Service, The Spy Who Loved Me and A View To A Kill. This homage to Bond is reinforced by Dominguez's use of a music track which efficiently parodies Monty Norman's 'The James Bond Theme'. (I've heard this track before in another Private movie, but at the moment I can't remember which one. It was probably first used in an action sequence in one of Pierre Woodman's espionage-based feature films.) In a movie which is meant to be a spoof of Charlie's Angels it's arguably 'off-topic' and confusing to introduce a parody of the James Bond franchise too, but Dominguez's ski chase sequence definitely lifts Sex Angels, it fits the genre neatly, and the soundtrack on this occasion is highly accomplished. There are some excellent sound effects of the skis and snowboard slicing through the ice as the hunters and the hunted swerve skilfully towards the camera.

The two skiers are actually Silvia's henchmen - the guys from the dojo - and from a distance Silvia looks on, observing the chase through a pair of binoculars. The mystery snowboarder outwits Silvia's goons, causing them to topple in the snow. The dramatic climax of the Bond-style music is comically timed to coincide with Silvia's frustrated exclamation - "Fuck!" - as she watches the snowboarder escape. The snowboarder slides to a halt and pulls off her protective mask, revealing her identity. It's Mya Diamond! She laughs smugly to herself, pleased at having bettered the skiers. It has to be said that Mya is no great actress, and her dubbed laugh is an unintentionally funny let-down after the action. It works well, though - and its effect is similar to the moment when George Lazenby utters his famous anti-climactic line, "This never happened to the other fella!", just before the credits begin to roll in On Her Majesty's Secret Service. Of course, in Mya Diamond's case "the other fella" would be Lucy Liu!

I have one further point to make about music in the action sequences of Sex Angels. It's really a kind of 'If Only...' , and it concerns Liam Howlett of the Prodigy! My only memories of Charlie's Angels: Full Throttle are vague. I've seen this movie just once - when it was first released - and I'd already had a few beers by the time I'd got to the cinema. But a scene which really sticks in my mind is an exciting, sharply-edited motorbike chase set to the Prodigy's whip-cracking hit track, 'Breathe'. 'Breathe' is a masterpiece of punk-fuelled electronica, and it fitted the action of Full Throttle like the glove of a Hells Angels biker! Among his other credits, Liam Howlett has worked for Private, collaborating with 3D DelNaja of Massive Attack in writing an original score for John Millerman's trilogy, The Uranus Experiment . I guess this collaboration must represent one of Private's finest hours in terms of achieving a 'crossover' between the adult industry and celebrity talent from the mainstream media. Given the brilliant use of of 'Breathe' in Full Throttle, my 'If Only...' is a conjecture about how great it might have been if Liam Howlett had been asked to return to Private to write one of his original, high-octane action scores for Sex Angels!!

There's hell to pay when Silvia Lancome gets her two incompetent henchmen back to the chalet. As they grovel naked before her, she castigates them for allowing Mya Diamond to get away, and she whips their asses with her crop. She orders the hapless fools to give her pleasure and soon they're sucking her tits and licking her pussy through her shiny latex crotchless knickers. Silvia is terrific as a dominatrix in this scene, and the voice artist supplying her with an American accent makes her sound icily bossy and mean. The maternalistic scoldings Silvia gives her slaveboys as she begins to suck and play with their cocks are both amusing and arousing, and nothing I've seen in Private's Pirate Fetish Machine series can top this scene in terms of playful, fetishistic fun. The sex begins in earnest as the guys fuck Silvia's pretty pink quim, and the sound of their swollen nuts slapping against her full, round buttocks is a joy. The action is hot and intense, including a couple of DP positions which really hit the spot. Silvia appears genuinely to relish the shafting she's getting, but for the cumshot she regains her haughty composure as the guys stand either side of her, ready to jack off all over their mistress. The first guy shoots cum across her neck and breasts, while the second guy decorates her face and eyepatch. But the scene's not over yet...

Mya Diamond has snuck into the chalet where she surprises the spent threesome, pointing her gun at them and ordering them to surrender. Silvia's lackeys put up their hands at once, their cocks bobbing pathetically, but Silvia believes that she's stronger than Mya and that she can overpower her. She ignores Mya's warning to back off and struts towards her, still splattered with cum. Silvia lunges for the gun, Mya pulls the trigger and - boom! - that's the end of Silvia. "I told you!" says Mya, as her enemy collapses. Mya then moves in on the guys, stepping over Silvia's body and grabbing the nearest pair of balls to extract information, just as she did in the dojo. She needs to know where the villan's bomb is hidden. As she ruthlessly squeezes her captive's bollocks he squeals something about a 'Hairdresser'...

At this point, a special mention is owed to actor Ramon Nomar, who co-stars with Andrea Moranti as one of Silvia Lancome's henchmen. Ramon and Andrea play rather fey, submissive characters who go weak at the knees whenever Silvia or Mya assert their sexual dominance over them, but they turn in highly creditable, energetic performances in their sex sequences, leaving no doubt at all about their masculine prowess as top-of-the-range studs. It's clear from the movie's Production Notes that Roman is an all-rounder who was able to help out with the stunt work, too: "When the production moved up to the mountains for the snow scene ... Ramon Nomar saved the day by doubling up as snowboard stuntman, his well known talents as a surfer proving a great success on a snowboard. The shoot attracted international media attention, with such high profile names as Hot Video and Germany's Spiegel IV present to record the event." An interview with Ramon Nomar is included in a 'Featurette' on the Extras disc of the DVD Special Edition of Sex Angels. Ramon is wolfing down some lunch while explaining that he's on a break between finishing a magazine photoset with "Andrea and Celia Blanco", and shooting one of his fuck sequences for Sex Angels. The interviewer is full of admiration for Ramon's herculean stamina in being able to deliver two sex shoots in one day, but Ramon himself is confident that he can handle the situation: he diffidently passes it off as the sort of challenge which he, as a working stud, is sometimes called upon to meet. The evidence of his success is on the screen. Ramon, you da man!

Scene 6

This scene begins with a visually striking sequence in which Jennifer and Sandy motor along the highway in an open-topped sports car. Jennifer is at the wheel and Sandy sits beside her in the passenger seat. The girls are jealous of Mya's opportunity to do a spot of skiing, but they're looking forward to arriving at their next destination - 'The Hairdresser'. They're excited by the prospect of a hairdo, and each girl tosses her free-flowing mane in an attitude of cute vanity. For this sequence Dominguez uses blue-tinted back-projection to create the illusion of a fast drive, while the shot of the girls talking is actually a stationary studio shot, directed over the bonnet of the car. In the 'Making Of' Extra, Dominguez explains the techniques by which this sequence has been created. His description of the style of fantasy achieved is very apt: "It's like a comic."

Once again, Sandy and Jennifer demonstrate their talent for acting light comedy. This comes across even though their voices have been dubbed in post-production. The dialogue is naff but the girls smile their way through and perform it all with tongue-in-cheek aplomb. When they finally pull up alongside the premises of 'The Hairdresser' and step out of the car, we enjoy a body shot of Sandy in her black PVC mini-skirt, and the leggy Jennifer affords us a hip-swaying display of her schoolgirl-style, grey pleated skirt and stockings.

The interior of 'The Hairdresser' is a dark, spacious stage, and at its centre are two beds. Jennifer and Sandy are warmly welcomed by a pair of hunky guys in tight trunks who immediately offer them a massage. The girls accept without hesitation and they are soon lying face down on the beds, naked, with the guys rubbing oil into them and kneading and grasping their bottoms and tits. Jennifer's masseur tucks the flat of his hand into the crease of her buttocks for a squelchy feel, while she and Sandy exchange happy, mischievous smiles. What follows is half an hour of unadulterated bliss, the best-realised sex sequence of the movie. This is the one to which I'll be returning for repeated viewings in years to come!

The sensuous foreplay of the massage is accompanied by a lounge-jazz soundtrack but, as things hot up, this relaxing music gives way to the rock-steady beat of a sleazy, 80s-style synth piece, the sexiest track in the film. Sandy rises up from her bed to kiss her masseur, Toni Ribas, and before long she's deep-throating him, applying hard suction to his massive schlong and coating it in messy trails of saliva as she comes up for air. Jennifer is busy with her own masseur, and now - one hour and thirty-eight minutes into the film - I finally get to enjoy the moment I've been waiting for: Jennifer's first contact with cock! She pulls open the guy's trunks and saucily flicks her tongue over the pink bell-end of his throbbing stiffy.

Toni reaches across to Sandy's booty and gives her a vigorous finger fuck, causing her to cry out loudly and drop her head to his sturdy thigh: she's lost in a chaos of ecstasy and tousled blonde hair. Each girl fellates her man with lip-smacking relish, then Sandy is shafted while Jennifer gets her cunt licked. Sandy rides Toni in the cowgirl position, leaning across his body as the camera looks on from the rear and takes in the sight of her humping bottom. The spectacle of Sandy's tanned flesh smacking against Toni's rock-hard stud-muscle is magical. Toni slips two fingers into her anus while plugging her pussy with his prick and she writhes about all over him, gasping breathlessly. Next she does him in the reverse cowgirl position, taking his tool to the hilt and fingering her own clit before he starts to rub it. Her ripe, shapely tits bob up and down as she fucks him, and the flip-flop sounds of flesh hitting flesh gain in momentum. Jennifer is in the background, rhythmically blowing her masseur, while Sandy lies face up and throws her legs back over her head so that Toni can feast on her gaping arse. Toni drills Sandy's butt with his prick, and off she goes on another wave of orgasmic pleasure as once again he stimulates her clit with his fingers.

A split-screen transition passes the focus of the scene from Sandy to Jennifer, who is now being soundly pumped in the doggy position. The stud's heavy balls hang and jiggle around Jennifer's hindquarters, swaying like a pair of ripe, red apples. Jennifer's face is flushed and wet with the sheen of sweat, and her crazy moans of pleasure are muted only when Toni joins in by stuffing his cock into her gob. Quick as a flash, Sandy's there too; and while Jennifer continues to be pounded from the rear, both girls slurp at Toni's cock and lick and suck it till its hue has changed to strawberry red.

Toni wants to have a turn inside Jennifer's arse, so he guides her into the reverse cowgirl position and enters her anally while the other guy has a go with Sandy in the doggy position. Jennifer's long legs are splayed open for the camera and Toni fucks her in the arse wildly. Round red blotches appear on the stretched underside of her buttocks as she's speared, and she clenches her teeth and curls her lips with the passionate intensity of a hot young bitch who's getting a right royal seeing-to. Toni pushes Jennifer off of him so that she can fellate him and taste the sweat of her own arse on his rampant rod, and Sandy has meanwhile changed to the reverse cowgirl position where she is taking it in the cunt from the other masseur. Toni manoeuvres Jennifer into the spoon position and buries his cock into her dirt box for another round of filthy anal pleasure.

Toni's colleague enjoys the attention of both girls as Jennifer mashes her tongue against his own and smoothly wanks the root of his prick into Sandy's willing mouth. The camera draws back to reveal that Toni is simultaneously giving Sandy one in the arse, doggy style. "Suck his cock!" urges Jennifer, "Yeah... do it!" This is Jennifer's own voice that we're hearing now, in her thick Czech accent. It's a horny, refreshing change to listen to this, in place of the annoying, ill-matched voice of the dub artist used to Americanize Jennifer throughout the rest of the movie.

Jennifer gets a DP, and when she cries, "Yeah... I love it!" - again in her own voice - we know that she means it! Sandy encircles Jennifer's throat with her forearm as Jennifer is tightly penetrated in both her arse and her pussy, and we can all but smell the yeasty aroma of arousal and sweat. The girls catch each others' eye, smile and kiss passionately, and we remember how they first discovered this bond of intimacy in the bar of 'Inferno'.

Sandy rides Toni in the cowgirl position and Jennifer is in the background, fucking and sucking the other guy. Her damp brunette hair cascades over his prick. Toni pushes Sandy onto her back and brings her to fever pitch by means of his manual ministrations. Sandy's head hangs down over the side of the bed and Toni shifts into a sixty-nine position, plunging the full length of his elephant-trunk cock deep into her mouth while snuffling and lapping away at her snatch.

It's time for Sandy's DP... After a little more doggy from Toni, Sandy mounts the other masseur and takes his cock into her cunt. Jennifer prepares Toni for fucking her friend's arse by giving him a savage wet blowjob, then he thrusts his cock into Sandy's butt and completes the DP. Sandy's DP is surprisingly brief, but it prompts another torrid exclamation from Jennifer in her own authentic voice: "I like your ass...! Mmm...! It's so lurvely...!" But whose arse does she mean - Toni's or Sandy's?

The four performers are tangled together in a sizzling orgy of lust. Sandy is taken from behind while Jennifer lies beneath her, getting fucked by Toni. Sandy's thighs rock and bash against Jennifer's head, and Jennifer reaches up to paw at Sandy's tits and squeeze her nipples. Toni's cock springs out of the brunette's pussy, only to disappear into Sandy's mouth. Toni soon puts it back to work in Jennifer's cunt, but now it's freshly lubricated by the blonde girl's saliva.

Toni slides his hand into Jennifer's hot quim and gives her a slippery finger fuck at such an amazing speed that it's all a blur. When he withdraws his hand it's dripping wet. He then grabs the flushed, moaning babe around the neck and screws the arse off her - a whirlwind performance! He pokes her silly; grasping her by the waist, midriff and tits and taking her to a new threshold of orgasmic bliss. This, for me, is the high point of the film - a visceral affirmation of what it would be really like to fuck Jennifer Dark!

The cumshot sequence is a quieter, more sober affair, as marked by a return to the lounge-jazz. The two girls are lying down next to each other and only their faces, necks and shoulders are in view, together with their clasped hands. They smile into each other's eyes and kiss intimately. The cocks are out-of-frame, but we hear the wet sounds of rapid wanking and suddenly the spunk rains down, pattering all over the girls' cheeks. Jennifer pops a spunk-drizzled finger into Sandy's mouth and smiles sweetly at her friend. It's a tender sequence, but the punch line is blighted by renewed use of the galling voice of the American artist who dubs Jennifer's scripted dialogue: "Oh... good massage!"

Our intrepid Angels are immediately betrayed by their masseur lovers, who turn out to be nothing more than stooges for the villain. The guys lead the girls to two seats placed under huge hairdryers, as if to give them a perm; but no sooner have the girls taken their seats than the machines emit a green gas which knocks them unconscious. When they awaken they find themselves seated back to back, bound together around their arms and waists by a leather restraint. No amount of struggling will loosen the knot - they are prisoners of the villain!

The Hollywood Charlie's Angels movies are all about lavish spectacle in a world of conspicuous consumption, and of course they were made on budgets which porno producers can only dream about. Nevertheless Private's slick promotional campaign for Sex Angels creates expectations of glossy aesthetics, and this inevitably leaves the film open to questions about how far it measures up in the glamour stakes. The interior of 'The Hairdresser' is a stage with dark dressing, and it's like the 'Inferno' in the sense that it's a minimalist set. I guess that what this film lacks and could really have done with at some point is a spectacular interior location, like the opulent villa in Gazzman's Hot Property or the luxurious set of the party in Romagnoli's Soccer Girls. Are there issues about securing 'found' interiors on such a scale when shooting in Spain? On the plus side, the use of the dojo was an original idea for a location, and in the Pyrenees the room in which Silvia Lancome dominates her two henchmen and meets her end has a cosy fireplace and is suitably atmospheric.

The fucking in Scene 6 is fantastic - a tour de force - and Toni Ribas deserves special credit for bringing his unique brand of sexual energy to the proceedings. There's a very funny moment with Toni and Andrea Moranti at the end of the 'Featurette' on the Extras disc of The Special Edition. It's Andrea's day off, but he's hanging out with the cast and he finds an opportunity to take the piss out of the bare-chested Toni. Andrea's abilities as a comic actor come through in his screen role as one of Silvia's camp henchmen, but he's clearly a comedian off-camera, too. He hilariously apes and sends up his superstud friend: "Do you see me? Oh yeah, I'm beautiful! My hair is nice... Of course, I'm Toni Ribas. You see my body? Huh? You see my cock? Huh? My name is Toni Ribas..." Toni says nothing back but smiles good-humouredly and gives a disarming shrug. Andrea Moranti is not the first of Toni's stud compatriots to tease him behind the scenes. In 'The Making Of' documentary for Faust: The Power of Sex, Nach Vidal is interviewed alongside Toni and affectionately gives him a hard time about his preoccupation with his own pleasure when fucking the girls on set. This prompts Toni into making a really interesting series of observations about his performances and current trends in porn.

Scene 7

Luckily for Jennifer and Sandy, Mya Diamond arrives at 'The Hairdresser' in time to rescue them. She's dressed as a ninja, she looks mean as hell and she's ready to do battle with the villain's guards. The first guard, Andrea Moranti, attempts to intimidate Mya with a gymnastic display of martial artistry, but she simply smacks him around the face and he's defeated, walking away and sobbing like a chastened schoolboy. The second guard is played by the movie's producer, J. J. Gasset, who mugs his way through the lead-in to an attack on Mya. She kicks him in the stomach and he, too, is out of the action, collapsing to the floor. (I suspect that Gasset's goofy on-screen contribution is an in-joke that got out of hand. Screwball comedy - or embarrassing self-indulgence?)

At this point the villain makes himself known. We see him for the first time and he reveals his true identity: it's Wally! There are shades, here, of the first Mission: Impossible movie, where the character who led on the side of the angels in the TV show of the 60s and 70s, Jim Phelps, betrays his team and turns out to be the principal baddy. Wally, played by Robby Blake, brags that it is he who plans to blow up the world. (His reasons are best known to himself!) He's been hoarding explosives and he's hidden a time-bomb which will detonate the lot. Quick as a flash, Mya fells the villain with a flying drop-kick which reduces him to a quivering wreck. The stunt is an impressive one. Mya is lifted into the air by invisible wires and the action takes place in slow motion with a wooshing sound effect. This is a stunt performed often in martial arts movies, but as a piece of filmic trickery it's particularly reminiscent of the conflict between Pai Mei and The Bride at the guru's seminary in Kill Bill: Volume 2. (There's one awful continuity fluff: Mya is wearing spectacles when suspended in mid-air, but not at any other point in the scene!) As Wally begs for his life, the vision of Confuscious reappears to Mya and reminds her that, "Before using violence, it is better to be a slut!" She accordingly slips out of her top and Wally is at once mesmerised by the sight of her pert tits. He scoops her up in his arms and now, at least for a while, neither character has any motivation other than to fuck the other's brains out.

Mya has a slim, shapely body and it's an utter delight to watch her being rogered. She's irresistible - her long hair falls down her back, her back arches in trimly at the waist and her hips curve out towards a tight, round bottom with perfect lttle buns. Wally's hands are all over her, he licks and fucks her pussy, he fingers her arsehole and a trickle of lube mixed with his saliva runs down the exposed underside of her bottom as he pumps her anus with his cock. He gives her plenty of clitoral stimulation while fucking her arse and her moans of pleasure show how much she gets off on this. There's a really nice sequence where he lifts her up so she can wrap her thighs around his strong arms and rest her feet on the crates against which he is leaning. He supports her by clenching hold of her bottom cheeks while continuing to poke her in the arse, and the sight of him pressing her firm, petite globes with his thick fingers is a definite turn-on. Eventually she turns around to face the camera and she masturbates herself vigorously while humping up and down on his prick, burying it deep inside her arse. Finally she stoops over his cock and jerks him off into her mouth. His load is rather a modest one, it has to be said, but judging by the volume of his moans his pleasure is extreme.

There's a horny little twist to the post-cumshot after-play. Mya continues to jerk Wally furiously and she refuses to stop until he tells her where he's hiding the bomb. She angrily demands the information and he's clearly tortured by the frenzy with which she's wanking his spent member, and sucking and licking it too. In the end he has no choice but to reveal that the bomb is "Over there!" As soon as Wally has given up the whereabouts of the bomb, Mya exclaims a triumphant "Yesss!", knocks his cock aside dismissively and dashes across to Jennifer and Sandy to release them from their bonds. These moments of cock-torment further illustrate Dominguez's taste for little pieces of business with an S&M theme. The context of Mya's motivation and the situation in the story - trite though this is - gives the sequence an added bite. Such frisson is often lacking in S&M business which has no specific narrative context (such as the Tanya Hyde shorts in Pirate Video DeLuxe).

The naked Angels discover the timb bomb in a box and by now the film has turned full circle. The girls are in exactly the same situation as in the pre-credits sequence, facing a dilemma as to which wire to cut. Once more, Jennifer insists it's the blue wire but - silly bitch! - she's got it wrong again! The Angels have only a few seconds in which to scarper before the world blows up! The final shot is an animation of the world continuing to spin, intact, while Wally's voice is heard angrily reprimanding his lackeys for having bought duff detonators. This final piece of comic dialogue takes the movie into the same cartoonish territory as Michael Ninn's 2 Funky 4 U but at least the Angels will live to fight another day. All they need now is a new boss!

The End... But is it? Not quite. There's an additional scene on the Extras disc in The Special Edition, in which a jailed Silvia Lancome, sans eye-patch, is taken by an (uncredited) tall blonde who wears a fetish warder's uniform and a strap-on. After a steamy round of lesbian sex, Silvia tricks the warder and locks her into the cell, making good her escape. I'd like to think that this is a back-story for Silvia's character, an episode from her criminal past before she sustained whatever injury led to her having to wear the eye-patch. But then again, who cares?

There's also a Special Photoset on the disc, in which Mya Diamond is stripped out of her Angels cat suit and fucked by Toni Ribas and Andrea Moranti. She's naked except for a pair of knee-high boots.

In his interview for the Extras disc, Dominguez expresses his willingness to make a sequel to Sex Angels, should the opportunity be offered to him. But if I had the chance to interview him, there's one final question I'd put:

Whatever happened to Bosley?! :-)

Footnote

Scene 5

After the dark interiors of 'Inferno', Dominguez takes us out on location to the expansive, snow-covered landscape of what is meant to be the Swiss Alps. (It's actually the Spanish Pyrenees.) A lone snowboarder is pursued by two skiers in a beautifully-shot, sweeping action sequence which fully exploits this spectacular location and imitates the ski chase sequences in classic James Bond movies such as On Her Majesty's Secret Service, The Spy Who Loved Me and A View To A Kill. This homage to Bond is reinforced by Dominguez's use of a music track which efficiently parodies Monty Norman's 'The James Bond Theme'. (I've heard this track before in another Private movie, but at the moment I can't remember which one. It was probably first used in an action sequence in one of Pierre Woodman's espionage-based feature films.)

Actually, this parody of The James Bond Theme was used in Pierre Woodman's 'The Collector' - where it can be heard against both the main title and the end credits. (I remember now!)

baskkk

Actually, this parody of The James Bond Theme was used in Pierre Woodman's 'The Collector' - where it can be heard against both the main title and the end credits. (I remember now!)

It turns up again in 'Mission: Possible' - and it's obviously becoming something of a musical trademark for any Private Gold espionage-based spectacular!

baskkk

Jennifer Dark is so hot, yet her scenes are so, well, crappy. She looks like a dead wet log in her scenes; she's so inanimate. Wake up, Jennifer, you're working in the hardcore porn biz!

I can't agree with that. Are we talking about the same film?

baskkk

I was speaking in general. I haven't seen Jennifer's scene in this movie, but of all the scenes I've seen of her, they've all been luke-warm at best.

I hesitate to respond to baskkk's thorough-going and excellent reviews, as I do not watch movies with the attention and appreciation he gives, and therefore have nothing substantive to contribute. But since ice has been broken.... I've watched this movie several times, in no preference for this clown director, but for Sandy Style and the lovely camaraderie she has with Jennifer Dark. The camera-man in this movie seemed to have been as obsessively fascinated with Sandy Style as I was at the time, and nowhere will you see her beauty as devotedly celebrated as in this movie. For this reason I was interested in a second part, as long as the same camera-man filmed it (regardless of the director). But it's too late now. Though lately I heard Jennifer Dark is back (is Triple X 68 new?).

Jennifer Dark is so hot, yet her scenes are so, well, crappy. She looks like a dead wet log in her scenes; she's so inanimate. Wake up, Jennifer, you're working in the hardcore porn biz!

Call me old-fashioned, but I think we should show more respect than this for the girls who model for Private. Maybe a particular girl is not to our taste, maybe we prefer one kind of performance style over another, or maybe a director could have done something better with a particular scene featuring the girl. I've certainly made criticisms in the past about the effectiveness of particular scenes, and I've also made comments before about the desirability of introducing new girls to take over the centre stage from tired-looking old favourites, but I've always taken care not to personalise these remarks to the detriment of any individual model. The bottom line is that I have enormous respect for any girl game enough to take on this kind of work for our entertainment.

As far as Jennifer Dark is concerned: yes; she is hot! I personally prefer her energetic scenes for Romagnoli and Dominguez over and above her sun-soaked, more laidback 'Private Tropical' appearances for Del Mar, but she's one of my favourite performers.

-------

On another note...

Sorry to pursue a rather trivial footnote which has been dogging this thread, but there's been something of a breakthrough....

This homage to [James] Bond is reinforced by Dominguez's use of a music track which efficiently parodies Monty Norman's 'The James Bond Theme'. (I've heard this track before in another [i]Private movie, but at the moment I can't remember which one. It was probably first used in an action sequence in one of Pierre Woodman's espionage-based feature films.)

Actually, this parody of The James Bond Theme was used in Pierre Woodman's 'The Collector' - where it can be heard against both the main title and the end credits. (I remember now!)

It turns up again in 'Mission: Possible' - and it's obviously becoming something of a musical trademark for any Private Gold espionage-based spectacular!

And now... Private has come up with another, brand new cover version of The James Bond Theme! This time it's a version closer to Moby's 1997 techno version and to David Arnold's stylings... the versions associated with the later, Pierce Brosnan Bond movies. Private's 'upgraded' version of The James Bond Theme is used with a pop-art animation 'boat chase' sequence stylishly integrated into Antonio Adamo's excellent 'Code Name: Mata-Hari'. (To get an idea about the kind of thing to expect, think of the animation sequence in 'Kill Bill: Vol. 1'.) Yippee!!

----

Also...

David X, I think your comment about the cameraman's fascination with Sandy Style in 'Sex Angels' is very perceptive.

baskkk2003

Another little breakthrough on this topic: I heard that Xavi Dominguez is going to do a "Sex Angels 2" for Private in February. Check this out (you may need your Babel Fish translator):

http://thepornnews.canalblog.com/archives/p180-10.html

I'll get excited about it if I hear that by some miracle Private has persuaded Jennifer Dark to return to Europe and Sandy Style to come out of retirement to reprise their roles.

News of a sequel is very welcome, as there's still plenty of mileage for Private in the 'Charlie's Angels' format. If it's not going to be possible for the original cast to reprise their roles, it would be fun to anticipate the impact of three new girls as the leads.

And as someone else has noted, 'Cadillac Highway''s Ron Jeremy would make a great Bosley!

baskkk2003

but I've always taken care not to personalise these remarks to the detriment of any individual model.

First and foremost, my remarks were never meant to be detrimental, or personal regarding Jennifer Dark as a person. Critics of mainstream movies critique an actor's performance and provide feedback. Feedback can be both positive or negative; however, a critic's comments isn't based on who the actor is as a person, but rather the actor's performance. In my apparent misunderstood-attempt to play Mr. Porn Film Critic, my remarks were obviously taken out of context. I don't even know Jennifer Dark personally, so how could I ever judge her on that level? Second of all, my observation is just my opinion. My opinion isn't the law, and what I write isn't written in stone.

Maybe it's different for some people, but I don't take porn seriously. For some people it might be their life or something a little more personal than a pastime, which might explain why some people get so offended by nonchalant comments. Being that we are open-minded, critical thinking adults, I hope in the future we can take other's comments with a grain of salt.

I understand what you're saying, and of course it's not a question of knowing the model personally or getting things out of proportion. But there is something very personal about sex performance - exposing your body to the camera and inviting the viewer 'in' to see all the intimacy of a performed sexual act. The models surrender, for our entertainment, many more levels of privacy than is the case with actors in the mainstream media. We need be free to say whether or not we like particular porn products / scenes, but, given what I've said, we have to be aware that rude comments about particular girls are potentially hurtful. Bear in mind that at least a couple of high-profile Private models are forum members and have contributed posts. It would be nice if more of the girls felt comfortable enough with the forum to want to join in as well.

baskkk2003

To some, sex is an almost-religious experience, while to others, it's the same as taking a walk through a park. While sex is very special and personal to most, it doesn't mean it is for all. That said, having sex on camera is only as personal as the person acting perceives it to be. Just because a person exposes his or her skin on camera doesn't mean that his or her performance is any more personal or intimate than that of a person who doesn't. It all depends on each actor/actress individually.

When you wrote "The models surrender,...", did you really mean surrender? According to Merriam-Webster, surrender means "to yield to the power, control, or possession of another upon compulsion or demand" Women choose to act in porn; I would not consider the word surrender to be correct in this case. I also don't consider a woman who gets paid well for what she chooses to do, such as a porn actress, as a person who is surrendering her body.

When you work in the entertainment industry, your work is exposed to everyone. Being exposed to such a vast audience, you have to expect that there will be negative comments regarding your work and, or persona. Although negative comments can be upsetting, as an entertainer you have to learn to overcome them because it's just part of the business. Being an entertainer expecting only positive comments is like playing American football and expecting not to get hit.

We need be free to say whether or not we like particular porn products / scenes
If you had read my post carefully, you would have realized that my initial comment was regarding Jennifer's scenes, and not only that, I actually complimented her!
Jennifer Dark is so hot, yet her scenes are so, well, crappy. She looks like a dead wet log in her scenes; she's so inanimate. Wake up, Jennifer, you're working in the hardcore porn biz!

Bear in mind that at least a couple of high-profile Private models are forum members and have contributed posts.
Wait a minute, Jennifer, is that you?

Hi, Killahla

Thanks for replying.

I meant "surrender" in the lighter sense of 'giving it up' - but of course you're right, it's a case of contractual agreement between the model and her employer rather than a question of compulsion. I also agree with you that when a product is released, it's in the pub-lic domain and viewers are free to comment as they please. (Equally, we critics can be challenged over our criticisms.) I still think there's a sense, though, in which a sex performer is more 'exposed' to her audience than is the case with an actress in the mainstream media: she's chosen to surrender her physical privacy to the camera in a way which is different than with other actresses. At least, you could forgive her for feeling more 'exposed' (if, indeed, that was how she felt - though not all models would necessarily feel the same way about it, as you say).

Your suggestion that, for some, sex is a near-religious experience is a red herring in the context of our argument about this, although I admit I write my posts from the angle of an enraptured Private fan. My point is basically that your original phrase - "she looks like a dead wet log in her scenes" - is a jarring one which reads as insulting to the girl. That's the crux of it. I'm afraid that remark comes over as insulting whether or not it's the scenes or the girl you intend to trash, even though you concede in the same breath that the girl is "hot", and even though the remark was "nonchalant". But thanks for subsequently clarifying what you actually meant.

I believe in our right to be critical of scenes, but, as far as this forum is concerned, I wouldn't want to continue posting here if it was okay to take cheap shots which potentially could be hurtful to individual girls. We are on Private's turf, after all; and there's no contradiction between defending free speech while believing that here, at least, we should tacitly agree to some kind of good manners or FAQ.

There's a difference between unkind insults, I think, and some of the phrases used in the lexicon of porn to describe the characters the girls play or the on-screen personae they adopt, e.g. "hot slut", "dirty bitch", etc. I sometimes use such phrases when writing reviews because, in porn-speak, they belong to the genre and are basically complimentary of a girl's performance. Phrases like that we can take with a pinch of salt; they're all part of the act. But if I thought that a girl's work was lacking in life or lustre, I'd probably say it exactly like that (i.e. "lacking in life or lustre" - or I'd use your own modified critical phrase, "luke-warm"). As I said, call me old-fashioned! More likely, in my case, I wouldn't bother to review that girl's scenes at all; I'd concentrate instead on what I did like.

Incidentally, which scenes did you have in mind when making your criticism? I'm personally less keen on 'Private Tropical'... but for some very hot performances by JD (in my opinion) check out Romagnoli's 'Rock Hard', and Scene 6 of the movie which this topic was about, 'Sex Angels'.

I've run out of things to say in this particular argument. In fact, I'm off to treat myself to a repeat viewing of JD's 'Rock Hard' scene right now!

baskkk2003

[Comment Deleted - please keep posts civil, personal attacks will not be tolerated - Bawdy]

I think baskkk is too much of a gentleman to respond to this, but I'm not.

I'd hate to see this thread locked. Killahla: you once canvassed requests for movie reviews. If the offer is still open, I suggest "Sex Angels". We'd all be interested in that, I think, and here it would serve the purpose of getting this thread back on track. Come to think of it, Silvia Lancome in that movie wears a pirate eye-patch in her role as villainess and might be said to look a bit mannish! Worth the rental, and the effort just might redeem you on this board.

I still think there's a sense, though, in which a sex performer is more 'exposed' to her audience than is the case with an actress in the mainstream media: she's chosen to surrender her physical privacy to the camera in a way which is different than with other actresses. At least, you could forgive her for feeling more 'exposed' (if, indeed, that was how she felt - though not all models would necessarily feel the same way about it.)

Of course, there are probably many porn starlets who couldn't care less what their fans or detractors are scribbling in the obscure corners of cyberspace... because they're too busy enjoying their lives and careers to bother.

But that's not the issue, and I stand by all I've said about that original remark which inevitably came across as an insulting jibe at a model's expense.

-------

Thanks for your support, David X.

I heard that Xavi Dominguez is going to do a "Sex Angels 2" for Private in February.

Agreed, we don't want to see this thread locked... not with a 'Sex Angels' sequel in the offing! :lol:

baskkk2003

I stand by my comments too, from the very first one that was misinterpreted to the last one which was deleted. The little discussion that baskkk and I had was probably the most exciting thing on this board since GregandSarah's masterpiece of the best vertical DPs; it's fun messing with people who take things way too seriously.

I understand that we need to be mature and act as adults. With that said, baskkk, let's move on. Let's let by-gones be by-gones. As a token of friendship, let's e-hand shake on it. *killahla extends his hand to shake baskkk's hand, as baskkk extends his hand to shake killahla's hand, killahla quickly retracts his hand and combs it through his hair* :lol:

Hello Killahla, if I was to make a comment about you it would definitly be deleted - but that not the point, lets not forget why we are here - for good quality porn.

well said Dick, enough is enough

I think this thread should go quiet until we get Sex Angels II...

When I read the blog I must come to the conclusion that Sex Angels 2 is not a Private production. It's a Media Partners productions.

Mya Diamond is the only original angel isn this second part. Sandy Style and Jennifer Dark (both are reitired) are been replaced by two oher beauties Ellen Saint and Claudia Rossi.

Here's (http://www.mediapartpro.com/2sex3angels/) the link to the preview website.

My Babel Fish translation:

In 2004, the Spanish director Xavi Dominguez carried out "Sex Angels", an excellent parody hardware of the serial and film "the Funny ones of Injuries" for the account of Private. Extremely critical and commercial success of this feature film, Xavi Dominguez then proposed in Private to carry out "Sex Angels 2". Unfortunately, for obscure reasons (apparently financial), Private was to refuse to launch out in the adventure. Xavi then turned to another Spanish company, Thagson/Media Partners, to carry out this continuation. "2 Sex 3 Angels" (it is the name of this second shutter which for contractual reasons could not be called "Sex Angels 2") has just left to Spain with in the role from three the "Funny ones Injuries" Mya Diamond, Ellen Saint and Claudia Rossi. A bond towards the official site of film (with exclusive photographs, trailer card to be downloaded, etc) is here: http://www.mediapartpro.com/2sex3angels/ The irony of the history, it is that, very impressed by "2 Sex 3 Angels", Private has just pointed out Xavi Dominguez to turn one following "Sex Angels". "Sex Angels 2" must thus be turned next February on the side of Barcelona. We will hold you of course informed on what is likely well to be one of the largest European productions of 2006.

As you know from EuroBabeTalk, Dutchy, Jennifer Dark seems to have gestured return (though here in America), and Sandy Style in her PLO interview sounded like she would like to do more "comedy" (i.e., acting). It is possible (though it would be a "miracle"), supposing only that Sandy Style's hubby is willing.

The irony of the history, it is that, very impressed by "2 Sex 3 Angels", Private has just pointed out Xavi Dominguez to turn one following "Sex Angels". "Sex Angels 2" must thus be turned next February on the side of Barcelona. We will hold you of course informed on what is likely well to be one of the largest European productions of 2006.

Well, that's a turn of events which is almost as tangled and wheeler-dealing as Hollywood studio negotiations can sometimes get when it comes to making movies using established and popular characters / ideas / formats!! Hats off to Xavi for keeping faith in his project (that Media Partners mini-site is as cool as a Private one!), and hats off to Private for allowing him to make another follow-up with them (if I've read it right and that's what's happening). Any one from Private able to comment?

-----

P. S. Another trivial footnote to my review of the first 'Sex Angels'...

Commenting on Scene 2, I observed: "Mya Diamond follows a lead to Chinatown and infiltrates the Dojo Xin-Lu where she spies on an exciting ninjutsu contest between two stave-wielding experts." Reviewing the movie for AdultDVDTalk, one 'cv' points out an error in this: "At Dojo Xin-Lu in Chinatown, we get to see a little kendo (Japanese bamboo sword fighting, incorrectly referred to as ninjutsu in the Making Of video)."

baskkk2003

Another little breakthrough on this topic: I heard that Xavi Dominguez is going to do a "Sex Angels 2" for Private...

Private's 'Sex Angels: 2' is now with us, and for this version Mya Diamond is joined by Lilane Tiger and Tiffany Hopkins as her fellow angels - and by Sonia Baby as a "fallen angel" bad-girl. There are other girls, too, in the supporting cast, but the emphasis is firmly on these four leads.

Tiffany Hopkins is one of those Private starlets who has an impressive chameleon quality - her image is capable of radical transformation from one appearance to another, depending on theme, hair-style, make-up and costume. In this film, she appears as quite a fleshy sexpot, her body-type contrasting well with the girly, petite Lilane Tiger and the apple-bottomed, apple-breasted Mya Diamond. Tiffany is good value here - she gets well and truly fucked in her scenes, and she's especially good at giving deep throat and taking it up the ass. Newcummer Sonia Baby is a slim girl with a down-and-dirty, slutty look which suits her "fallen angel" persona. In fact, in her 'Exclusive Scene', there is more than a hint of 'heroin chic'.

The plot is even more flimsy than in the original 'Sex Angels' - to the point that it's scarcely worth commenting on - but there is still a smattering of 'Charlie's Angels'-style tomfoolery to enjoy in between the sex scenes, especially in relation to Mya's character. Mya reprises her comic turn as a cat-suited "angel" with the kick-ass attitude of a mischievous dominatrix, and it's her character who gets to play in the token action scenes - including a 'Goldeneye'-style bungee jump from the top of a cliff. There's a really amusing moment at the end of one of Mya's scenes where two beefcake bad asses have just fucked her and splashed spunk all over her face and tits. Their lust satisfied, they pull out their guns with the intention of taking out this "angel". But she looks up at them with such an appealing, pouting sulk (and with a long trail of cum still hanging from her chin!) that the bad guys waver and decide that, after all, they just can't kill her - she's far too cute! Mya has tricked them... As soon as they've lowered their weapons her expression changes from sweet and hapless to mean and murderous - she whips out two guns of her own from behind her back (one in each hand) and promptly wastes the two guys! Mya has another comic scene with an incarcerated 'Hannibal Lester', who confuses her with Jodie Foster's Clarisse and urges her not to be afraid as he munches on her pussy. The dialogue between Mya and Hannibal is never more than semi-witty, but its naff quality is hilarious in itself.

In my review of 'Sex Angels' I said that overall I enjoyed the film but I also had some criticisms. One criticism was that the movie didn't do enough to exploit the seventies stylings which went with the original 'Charlie's Angels' TV show. I was therefore delighted with some of the retro looks designed for Lilane Tiger in 'Sex Angels 2'. Her first sex scene, set in her apartment, is prefaced by a solo sequence where she happily bops away to a jazzy rock number, wearing cute pigtails in the style of a Russ Meyer 'Super Vixen', a loose top with the 'Private' logo on it, and a tight-fitting pair of Y-fronts coloured pastel blue, pink and yellow. This is a sequence of innocent, sexy fun which wouldn't have looked out of place as the warm-up in an early 'Color Climax' reel: it has a taste of the seventies about it. For the same reason I also love the pink cowboy hat Lilane wears later on, while hanging out with Tiffany in the hick country-and-western bar; and the other occasional uses of seventies-sounding porn music.

Another criticism I made of the original 'Sex Angels' was that some of the dubbing was quite jarring. The lead roles in 'Sex Angels 2' are dubbed once again, but this time I find the voice work much more effective and attractive. In particular, Mya's character is given a girly voice with a posh English accent - which is really cute and exciting as a counterpoint to all her dominant scowling and the lean, nasty look in her increasingly porn-hardened face. Thus the character's name, Lucy, is no longer just a nod to Lucy Liu: it also matches this new voice as a name typical of a posh 'English rose'.

Overall, Dominguez appears to be more at ease this time round, playing down the parody and playing up the sex. The production values are more consistent in quality and the hardcore content is hot and raunchy. There is, of course, plenty of anal to enjoy, a range of DPs and some messy cumshots. The cameraman knows what we want to see and isn't shy about taking us there.

'Sex Angels 2' hasn't been released to quite the same degree of hype as the first 'Sex Angels' movie. Perhaps the main Private fanfare is still being reserved for Woodman's return in the 'Sex City' trilogy. However, I find myself hungry for more background information about 'Sex Angels 2'. The box sleeve promises more 'Extra Materials' than are actually on the disc: there is a 'Behind The Scenes' feature but I couldn't find the 'Backstage' item which is also billed, or the 'Photobook'. The 'Behind The Scenes' entry is a stylish montage of clips from the movie mixed with footage of backstage preparations, but the whole thing is set to music like a pop video so there are no commentaries or interviews this time. I wanted to find out more about that bungee jump... I swear that the stuntwoman looks like she's about to swing headlong into the cliff face!

Recommended.

baskkk2003

Wonderful review, baskkk: brought freshly to mind the few good moments this movie had. Especially Tiffany's deep-throating, Mya's cute acting, and Liliane's teenybopper jig (that really perked me up!). But I give a thumb's down on this one. A terrible waste of some beautiful and talented pornstars. (Though I'd swear Sonia Baby must be an American.) I don't care if I never see another movie made by Xavi Dominguez.

I also love the pink cowboy hat Lilane wears later on, while hanging out with Tiffany in the hick country-and-western bar.

I was delighted to find Lilane in that hat, (http://www.privatemembers.com/member/sto/viewpic_sto.asp?bigpic=exist&No=308_10&isbigpic=yes&page=27) featured with Tiffany, in a set of pics in the Members' Site Photostories!

baskkk2003

(Link no longer live)

As part of my own contribution to restoring archives, I've re-upped the review posted at the beginning of this thread - with dead links eliminated and amendments made which fix the strange alterations to my punctuation caused by forum migration.

baskkk2003
colinmurton@yahoo.co.uk