Review of DownWard Spiral (Private Blockbuster)

As part of my own contribution to restoring archives, I've re-upped the review and posted it at the end of this thread - with dead links eliminated and amendments made which fix the strange alterations to my punctuation caused by forum migration.

baskkk2003
colinmurton@yahoo.co.uk

Thank you baskkk203. Always a very professional review. I will now for sure download the movie.

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Fucking everyday keeps the doctor away

Very detailed, as expected! Thank you, baskkk, for this review! Even if I decided earlier that I will definitely get it soon, now I am confirmed in my decision to invest my money correctly!

Thanx again says...

...Disma


EDIT: I haven't participated yet on the poll, cuz I first want to watch this scene for myself to get an impression. For sure, every single girl mentioned above looks wonderful!

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The cat carries a rifle!

Fantastic review baskkk2003. I have just got my own DVD of Downward Spiral and reading this review makes me even more wishful to watch it.

Also my vote comes later.

Cheers
Addicted

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I'm loving it

baskkk2003, you have given this movie a very thorough review taking all aspects into account including music and comparisons with other scenes and movies. And you are right: This is the best Private release for the 1st half of 2008. I am with you when you say that it seems quite impossible to believe it was shot and edited in just a few days. Quality is in every aspect of this movie.
The cast is very well selected and doing a great job. And every sex scene is so well done that there is not a single one I would skip when watching the movie. One other aspect I appreciate is that the sex scenes are not too long â?? or do not seem long â?? which also allows a seventh scene (like all blockbusters should have). On the other hand the cumshots are filmed from various angles and edited in such a way that they seem to last forever which is great. On top of this the postcum play and flirting with the camera is well done by the girls. This movie just seems perfect.

I loved the scene with Kyra and Cayenne already as pre-release on the member site and I am glad I have it now in DVD quality. Cayenne is looking so good, and bad at the same moment. I love the shots when both girls suck on his cock and when he fucks Kyra anal doggy style with Cayenne stretching her body under Kyra in 69 to clean his cock when required .

Nikky Rider and Cindy Hope give a wonderful performance in the sleazy glory hole. The shots from above are great and it seems like you are getting a sneak view over the wall when standing there. Cindy is really sprayed with come which looks so good leaving her face like covered in morning dew.

I think someone has mentioned before that Simony Diamond is doing better with more than one guy and this 5-man gang bang proves his point. She really seems to enjoy this many cocks and being covered with lots of white sticky fluid. When the guys are done I am reminded of Nikky Anderson in Sweet Baby in the night club with her face, breasts and thighs covered in semen.

Watching those five female bodies in a row under the showers makes you aware of their difference and each having a beauty of her own, and no wonder that Sandy is lured into this group. The scene is well shot with almost no color but the white shower tiles and the different tans of the girlâ??s bodies. The daisy chain seems to form spontaneously and the girls enjoy each other in relative silence without fake moaning. When every body is pleased, it is fun to watch Sandy escape from these Sirens of Sapphic Sex.
I voted for Sophie by the way as each time I see her I think of this wonderful b/g scene she once did for Private :P .

Leanna Sweet is doing well while giggling her role as a school girl. She is so hot and horny spitting and sucking the guys cock completely in and riding him with joy. They finally fuck standing against the wheelchair and he bangs her schoolgirl ass hard. I like the sudden surprise when Leanna stands up after the cumshot to kiss him while leaving drops of cum on his face.

Kathia shows she is a strong girl when hanging on the warehouse ceiling and being swinged by these bad guys while we get a full view of her firm body. She looks good in her fishnet suit when she bends forward and is filmed from above. She is fucked on a pile of pallets in several positions and kneels down to receive two loads. She looks so cute looking up at the guys with wide open eyes and her teasing tongue and she rewards them with a warm smile when she has been covered. We leave her licking off her sticky fingers.

In the last scene I do not care at all that Sandy does not do any penetration . She looks so hot next to Bambi who takes care of this type of action very well. How well do their bodies match in this scene with the well shaped Sandy and the endless legs of Bambi . When Bambi sucks him hard, she is backed by the body and face of sexy Sandy. The sight is just perfect when Bambi is fucking in standing position and we can watch her great legs and Sandy slowly moves between those legs to plant her sexy face on Bambiâ??s clit . Or when Bambi returns the favor and gets fucked in her well oiled pussy while she lies on her back on the hood of the police car. It is so arousing when both girls are on their knees next to each other looking up at him with their dark eyes and Sandy is jerking him off and Bambi is sucking him. And when he comes in her mouth it is just spilling over her lips on her dark hair and her full thighs. Sandy is not worried about the sperm at all and kisses and rubs her face against Bambiâ??s with great passion . Bambi sucks of the last drops and Sandy kisses her again and they smile at each other, both faces glistening with his seedâ?¦ .


Well done Private.
Well done Major and Youngman.
Well done actors and actresses.

Stop reading this forum guys and start watching this movie (again).

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I'm loving it

Hi, Addicted. I totally agree with everything you've added here!

baskkk2003

Well, I'm thoroughly enjoying the clips I'm seeing on the Members' site - extremely hot 'n' horny scenarios, all imaginatively and stylishly executed. The Gloryhole scene has a particularly nasty ambience that drips pure sex like sweat from the walls. Love the moment when Nikky allows an endless trail of spunk to fall from her lips, and Cindy regards it with the cool amusement of a woman who knows that she trades in filthy male seed. Oh, and all those gorgeous pink, glistening bottoms in the shower sequence...

Baskkk, your review is as brilliant as ever, by the way.

I take it Youngman and Major have more projects upcoming with Private?

Well, I know that this title is not that new, but I watched it this morning for the first time!!!

In my opinion it is the best title released in 2008.

The reason herefore is the acting-talent of Sandy (I am talking of the non-porn sections!) that I have never seen before elsewhere in this business! Respect! Further I have never seen before a hotter scene in that a girl puts her clothes on, when she dresses up as a flight attendant! Sandy is a totally bombshell - from head to toes!

Of course, all the other girls did their part and made this movie unique. Thanks again to Frank Major and Andrew Youngman. I'm looking forward to your next PRIVATE-release "Taste my Lips".



Disma


EDIT: Further I enjoyed the moment when Sandy meets up with Nesty who has just received a facial - without seeing anything of the sex before my brain was put on stand-by and my shorts were ready to explode!

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The cat carries a rifle!

Btw, does anybody know who the three guys are that were pleased by Cindy (Hope) & Niky (Rider)????

Thanx in advance!

Disma

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The cat carries a rifle!

The girls in the film is very professional and downward spirl is great work

Review of DownWard Spiral (Private Blockbuster)


DownWard Spiral is directed by Frank Major and Andrew Youngman, two Hungarian film-makers who have a decade-long association with Private. Although they are still, indeed, young men, Youngman and Major are also experienced pros who know their business inside out, and they do an outstanding job with this new movie. DownWard Spiral was made in Budapest in July 2007 and it sees its DVD release this month, in June 2008. Youngman is reported as having said that it took only 5-6 days to shoot the movie and a mere 3-4 days to edit it. Given the excellence of the finished product, its amazing to think that it was all completed within such a short time Im not sure that I really believe it!

As an actor, Andrew Youngman was a familiar face in front of the camera in many of Privates video productions of the late nineteen-nineties. In the early noughties, he went on to direct numerous vignettes for the Private Reality range, honing his talents behind the camera. Frank Major is likewise an experienced performer-turned-director, with a portfolio of on-screen credits in Private movies which extends from the late nineties to the mid noughties and which features work for porn maestro Antonio Adamo. Perhaps significantly, Andrew Youngmans Private performances included a role in Operation Sex Siege (1997) by Nic Cramer, a director whose cinematic style seems to have been a particular influence on DownWard Spiral. Like Cramer before them, Youngman and Major make ingenious use of film noir devices, situations of jeopardy and an ambience of post-industrial malaise: they succeed, as he did, in bringing edginess to an intriguing variety of sexual scenarios.

For Private nostalgia buffs like me, its satisfying to see that Youngman and Major have cast a number of studs whose history with Private dates back as far as their own. With veteran stalwarts like James Brossman, Frank Gun, Nick Lang, Zenza Raggi and Bob Terminator on hand, some serious wood is guaranteed. But what we have here is something new and revitalising. If Major and Youngman are indeed taking a cue from Cramers aesthetic, DownWard Spiral ends up a better movie than either, say, Private Dancer (1996) or Operation Sex Siege: these partners-in-porn are bringing a new impetus to the exciting genre of film noir skin flicks!

The female cast of DownWard Spiral is led by Sandy. Sandy is a sultry blonde who, at 31 years of age, is relatively mature for a Private model. To me, she looks a bit like Victoria Beckham, especially when she pouts, but actually shes more attractive than Becs! Sandys character is the linking device of the movie - shes there in most of the scenes as either a voyeur or participant. She plays a married flight attendant who suddenly finds herself dumped in the wrong side of town and exposed to a seedy world of sexual depravity. Her curiosity is aroused and she is gradually sucked into a downward spiral of perverted delights. I doubt that Sandy will have the same long-term impact as Nic Cramers Private stars, Ivy Crystal and Dina Jewel, but she develops an interesting Perils Of Pauline quality in her performance which reminds me of Ivys roles in Cramers classics.


Pre-Credits Sequence: Sandy

The opening moments of the film set up the domestic ordinariness of Sandys normal life in a cinematic way, using a series of extreme close-ups (ECUs). The first shot is an ECU of a pot of boiling coffee. Next we have an ECU of a toaster as the bread pops out. Then we get an ECU of a cup as the hot coffee is poured Flight attendant Sandy joins hubby James Brossman for breakfast on the balcony, but she doesnt have time to eat her toast as shes late for work her flight leaves in two hours. The style of these opening moments immediately puts me in mind of the credits sequence of Operation Sex Siege, where Nic Cramer alternates the title captions with ECUs of Dina Jewel getting ready to face her own world. First we have an ECU of Dinas fingers turning her lipstick tube, making the lipstick pop into view. Next we have an ECU of Dinas throat as she puts on her necklace. Theres an ECU of the top of her thigh as she pulls up her stocking, and another ECU of her gun as she locks n loads!

In Sandys case, we have to wait until she leaves the breakfastand gets dressed for work before we have the chance to savour some close shots of her body. There is something deliciously erotic about the spectacle of Sandy squeezing into the tight uniform of an air stewardess - even if this particular uniform looks a little too like the International Rescue outfit worn by the Tracy brothers in Gerry Andersons puppet show, Thunderbirds! (Its the hat!) As in Cramers sequence with Dina, Sandys scene is a clever reversal of the strip tease, proving that the sight of a beautiful woman getting dressed and ready for action can be every bit as arousing as the spectacle of a woman taking her clothes off. The scene is accompanied by some sexy music which invites the viewer to begin a more ahem active enjoyment of the film!


Scene 1: Cayenne / Kyra Black / James Brossman

As soon as Sandy has left for work, James Brossman smirks to himself and gets out his cell phone. Hes going to take advantage of his wifes overnight absence by ordering up a couple of high-class call girls! That evening, Sandy touches down and orders a cab to take her to her hotel. During the ride she tries to phone James but hes not picking up which is hardly surprising because, by then, he has his hands full with call-girls Cayenne and Kyra Black!

This first sex scene of the movie is dynamite. Cayenne and Kyra are an explosive mix, with blonde Cayennes ravishing beauty sparking off Kyras fleshier, dusky looks. The transition from the shots of Sandy in her cab to the lustful antics of her hubby with the call girls is brilliantly managed by a change in musical cue and a memorable opening image. The camera pulls out slowly from a close-up on the phallic neck of a bottle of champagne while the carousing James and Kyra are in the background and out of focus - dreamlike in a haze of lust! Suddenly some wild locks of golden hair fall into frame. As the shot widens we see Cayenne beside the bottle of shampers, writhing her body in anticipation as she glances back at the others. With camerawork this good, we know were in for something special.

The girls slobber over James’s cock like theres no tomorrow. They both get fucked in the pussy and Kyra takes it in the ass. As attractive as any fashion model, Cayenne seems almost too elegant to be doing a messy ass-to-mouth routine with the sluttish-looking Kyra, but shes quick to guzzle on Jamess cock every time it slides out of Kyra’s ass!
Private pre-released this scene on their members’ site to excite interest in DownWard Spiral, and I can well understand why: its an exquisitely nasty scene! For the cumshot, James blasts jism into the girls faces. I should just mention something which I personally find a little off-putting When girls open their mouths wide to catch cum, its always better if the shot is framed so that we dont get a view of their dental fillings. (Sorry, Cayenne!)

Scene 2: Vica Ryder (aka Nikky Rider) / Cindy Hope / various anonymous cocks

Sandys cab driver is a creepy-looking guy played by Zoliboy. Sandy starts to panic when she realises that he has no intention of taking her to her hotel. Instead he drives her into a seedy part of town, robs her of all her money and abandons her on the sidewalk. Sandy runs for help to a group of hookers who are loitering in the open doorway to a disused factory. One of the hookers, Cindy Hope, sneers at the distressed flight attendant and tells her that If you want to make money you have to suck! As if on cue a blonde hooker appears from inside the factory wiping jism from her chin. Cindy ushers Sandy inside so she can see for herself what the girls get up to. We find ourselves peering into an unfurnished room walled on three sides by wooden boards with dirt and graffiti all over them. The cement floor is littered with some disgusting old toilet basins and other debris. Each of the three walls has a hole drilled into it, positioned so that guys standing on the other side can push their cocks into the room. In the middle of all this squalor is Nikky Rider, dancing seductively to herself and waiting for business…

One by one, three pricks appear a prick emerging through each hole, bobbing and erect and waiting for Nikkys attentions. Nikky moves from one wall to another, crouching in front of each hole and giving expert blowjobs. A rhythmic electronic soundtrack enhances the sleazy mood and helps keep the viewers pulse racing. Theres a range of camera angles on Nickys magic hole blowjobs, including low angles and one impressive overhead shot which looks down on her as if from the ceiling. Nikky takes three heavy cumshots to the face, one after the other, and then she saunters out of the room and stares dirtily at Cindy and Sandy. She spits a long trail of cum from her mouth and then strolls out of frame without saying a word. Cindy smiles smugly and takes her place in the room as the next magic hole cocksucker in line. We see Cindy do one blowjob to completion, earning herself a sticky wet splattering, and then Sandy decides its time to go exploring elsewhere within the disused factory.

Incidentally, this whole scenario matches closely a sleazy aspect of Budapests real-life sex industry. In certain parts of town punters can walk into peep show-type booths and pay for the privilege of sticking their cocks through letter box-shaped holes while women on the other side of the windows kneel on raised platforms and give them blowjobs. This is not an activity to be recommended for those with weak hearts or with fussy scruples about who else might have been there first, but its a seedy phenomenon I associate with Budapest! The casting for this magic hole scene is spot on, as Nikky Rider and Cindy Hope both have whorish, nasty looks which are just right for anonymous, cum-and-go action of this sort: its easy to imagine them sucking random cocks all day long in a squalid back-street sex establishment!


Scene 3: Simony Diamond / Frank Gun / Nick Lang / Bob Terminator / Leslie Taylor / Sabee

Sandy hides behind a pile of crates and witnesses a gangbang enacted in the grounds of the factory. The focus of attention is Simony Diamond. Dressed in thigh-high boots and a shiny red bra, Simony looks similar to the hookers in the scene before. The chunky crucifix shes wearing around her neck gives a gothic twist to her image. The scene begins with Simony performing an erotic dance on a platform rigged against a huge industrial chimney. Roaring fires and billowing dry ice add to the spectacle. A gang of five badasses wait around, ogling Simony. Eventually she climbs down to join them, her lithe, tanned body slick with sweat. Before long the guys are stuffing their cocks into her mouth and ramming her ass. Simony humps her way through a double penetration before taking five loads of cum on her face. Two of the guys ejaculate in the same shot - either side of her - and then another two, and then she finishes off the fifth guy by himself. She sucks vigorously on the last cock to pop, and the speed with which she jerks her head causes the spent cum of all five guys to fly from her cheeks and slop from her chin. Finally she scoops up some of the man juice on her fingers and shoves it into her mouth. The action is interspersed with shots of Sandy looking on, mesmerised, and the gangbang is also witnessed by a group of other badasses, all wearing shades, who are there to make up the numbers and add to the frisson. Sandy is clearly aroused by what she sees.

The mise-en-scene of Sandys downward spiral combines influences from both porn and mainstream cinema. For example, Simony Diamond, Nikky Rider, Cindy Hope and the gang of sexy hookers wear costumes which bring to mind Rosario Dawsons Old Town girls in Robert Rodriguezs Sin City (2005) - as well as their porno counterparts in Pierre Woodmans parody, Sex City (2006). Also - once again - a memory of Nic Cramer is in the background. For Private Dancer, Cramer sets his second scene in a derelict warehouse. A sinister man leads a slave girl (Gabriella) into this desolate place and they indulge themselves with Ivy Crystal, whos been blindfolded and tied to a chair. The disused factory in DownWard Spiral invites a comparison with Cramers choice of location, since both create a sense of alienation and menace, but there are also some important differences. In Private Dancer the spacious warehouse is suffused with natural light, whereas Major and Youngman go for a moodier, more designed look (as does Cramer himself, in other scenes), with nocturnal blues, low lighting, long shadows and fire and smoke.

If Cramers warehouse set-up is a nod to Quentin Tarantinos Reservoir Dogs (1992), the netherworld of Downward Spiral owes more, perhaps, to the disused factory in Eli Roths Hostel (2005) and Hostel: Part 2 (2007) - films for which Tarantino was a producer. Of course, porn movies touch different nerve centres than the genre of slasher horror, but in DownWard Spiral, as in Hostel, the disused factory is represented as a kind of inferno where taboo desires are fulfilled. Zoliboy, the cab driver who dumps Sandy into this pit of debauchery, has a nerdy fringe and missing or malformed teeth, bringing to mind the creepy desk clerk who checks all the victims into Roths hostel, or the buck-toothed simpleton who tries to warn off Beth (Lauren German). In Hostel: Part 2 Roth begins to adapt his horror material to the conventional format of porn scenes, devising a darkly erotic episode between blood fetishist Mrs. Bathory (Monika Malacova) and her trussed victim Lorna (Heather Matarozza). With set pieces like this, its hardly surprising if the Hostel franchise has become a new point of tonal reference for porn directors who seek to play around with notions of taboo and transgression. Amusingly, the editor of DownWard Spiral is billed as Chainsaw - not that DownWard Spiral goes so far as an exploration of slasher violence!

Scene 4: Sandy / Sophie Moone / Eve Angel / Zafira / Bridgett / Clara G

Sandy continues her apprehensive exploration of the factory. She sees a door from which hissing steam is escaping and she slowly creeps up the steps towards it. Teetering on her heels, bending her long, shapely legs and thrusting out her tightly-skirted bottom, Sandy is posing in an exaggerated way which is almost cartoonish - the sort of poses Daphne from Scooby Doo might strike as she investigates a haunted house - but this doesnt diminish the eeriness of the moment. Sandy looks through the door and sees that its a shower room occupied by five naked girls, showering in a row. These are the Shower Sylphs, mysterious beauties whose presence in the factory is never explained. The camera lingers over their beautiful wet bodies as they gyrate in the shower in time to a finger-clicking beat on the musical soundtrack. The sylphs notice Sandy spying on them and they beckon her to come in and join them. They surround her and help her out of her uniform. They run their hands all over her, kiss her and lick her. Before long theyre smooching with each other, too, and the scene develops into a full-on sapphic orgy. Sandy becomes part of the sylphs circle of lust, fully included in their debauched sisterhood.

Andrew Youngman is reported as saying that this is definitely his favourite scene of the movie. Its a scene of which he and Frank Major can be justly proud, with some of the hottest girl-on-girl action Ive ever seen in a Private film. The six girls descend to the floor where their spontaneous lovemaking begins to take the shape of a daisy chain: each one eats pussy while she herself is munched on by another! After this the girls take turns at being pleasured by the other five. Mouths are kissed, nipples are tweaked, toes are sucked, clits are licked and fingers are stuffed into pussies! Bridgett is the first to be taken to heaven and back, then Eve Angel, then Clara G, then Sophie Moone (the sylph with the sauciest smile), next Zafira, and finally Sandy. Theres a neat symmetry to all of this: all but two of the six are blondes, and the two brunettes, Eve Angel and Zafira, are spaced out between the others as, respectively, the second and the second-from-last in the running order. Sandy seems to have lost all her inhibitions, at least temporarily. Shes the keenest when it comes to jamming fingers into other girls cunts, and she slides her whole hand into Clara G!

The mysteriousness of the sylphs is sustained by the fact that they never speak a word, although theres plenty of ecstatic moaning. This absence of dialogue is also a characteristic of the other scenes so far. It suggests that the strange sexual beings who inhabit this disused factory exist only at the level of primal instinct, unrestrained by the civilising effects of discourse. After theyve kissed and fingered Sandy to a climax, the lust-crazed sylphs continue to paw and maul her. Sandy suddenly realises that unless she pulls away theyll never let her go. She manages to disentangle herself and retrieve her blouse and shoes, but the sylphs crawl towards her like predatory animals. Sandy makes for the door and shuts it firmly behind her. She pauses to catch her breath before resuming her exploration of the factory site, now in a near-naked state.


Scene 5: Leanna Sweet / Bruno SX

What happens next is very odd. Sandy encounters a demented, bewhiskered old fart in a wheelchair, played by Bruno SX, who suddenly draws up alongside her and shouts abuse. Noticing Sandys exposed tits and fanny he whips out his cock and aggressively demands a fuck. Although this is shocking, Bruno brings out a comic side to the grotesque character hes playing, tempering the nastiness with a definite twinkle in his eye. Sandy is alarmed but the old bastard leaves her alone to hunt other game. His sights are set on Leanna Sweet, a tall, lean girl wearing cute ankle socks and a short tartan skirt, and with her hair tied in bunches. What Leanna is doing inside the factory is anybodys guess! Unlike Sandy, she seems thrilled by the prospect of a fuck with Bruno, and she giggles excitedly as he propositions her. In no time at all Leanna is fellating Bruno, spitting in his mouth and bouncing her bubble butt up and down on his dick. She turns around to straddle him, shoving her fingers into her anus as he penetrates her shaved pussy, and then she lets him fuck her in the ass. Meanwhile Sandy is watching everything from a safe distance and getting turned on.

Leannas high-pitched mewing and squealing are an affectation which make her sound like an animated lolita in Japanese hentai. The way she pushes her knees together while humping on Brunos lap adds to the effect of schoolgirl coquettishness, and Brunos admission to her that I feel so young with you! sounds totally perverse. In a comic moment theres a sudden cut to Leanna sprawled across the wheelchair with Bruno standing to her left ready to take her from behind we see at a glance that hes not really disabled at all, but a fully-functioning stud. Anyone familiar with the UK sketch show Little Britain will immediately think of Matt Lucass character Andy, a manipulative guy in a wheelchair who deceives his carer Lou into thinking hes more disabled than he actually is hes secretly full of get-up-and-go!

Bruno does Leanna in her cunt and up her ass. For the cumshot she whirls around and crouches in front of him. Its a porno cliche to cut to the guys face as hes about to cum, getting a close-up of his facial expression before focussing on the ejaculation. For this scene the directors do something slightly different with that cliche. They insert a shot of Brunos face immediately before the climax, but the same shot also includes a glimpse of Sandy watching in the background and playing with herself. Thus were reminded, a second before the orgasm, that Sandys taking a voyeuristic pleasure in watching the action as much as we are - and Brunos not the only person getting his rocks off! Leanna takes a face full of cum then kisses Bruno on the mouth, smearing his lips with his own jizz. He slaps her on her butt and tells her to get back to school, then he slumps in his wheelchair and gives an evil laugh . The laugh is tricked with a spooky echoing effect!

Back in 1994 The Downward Spiral was the title of an album produced by American industrial rock band Nine Inch Nails (NIN). The music on the soundtrack of the movie DownWard Spiral is consistently excellent but it bears no obvious relationship to NINs album. The one exception, perhaps, is the track used in Leanna Sweets scene. This track has a measured beat which is much like the hammer-punching-nails riff of Closer, NINs most successful hit from The Downward Spiral. The lyrics of Closer seem rather apt for this movie, too, with their emphasis on animalistic sex as a reason for living and the dissipation of the soul!

Scene 6: Kathia Nobili (aka Kathy Campbell) / Zenza Raggi / Ram

Sandy assumes a new hiding place from which to observe the next bizarre development in this nightmarish world. Two gangsta dudes in a Cadillac park up inside the factory and flick the controls of a moving conveyor. Theres a whir of machinery and Kathy Campbell appears, suspended from the conveyor on a chain. Again, Hostel: Part 2 seems to leave its mark on the imagery of the film: Kathy is the dudes plaything, their bitch, a dangling victim to use and abuse.

The two dudes, Zenza Raggi and Ram, are dressed in wildly ostentatious pimp costumes, as if for a fancy dress party. They have lots of over-the-top dialogue with each other, sparring in bellicose gangsta fashion - its all motherfucka this and motherfucka that! Kathy herself is kitted out like the hookers in the earlier scenes, sporting shiny thigh-high boots, stockings, suspenders, a brief gold top and tarty hoop earrings. The dudes give her a hard time as she hangs from the chain, prodding and spanking her with a pimps cane and generally tormenting her. Zenza Raggi hasnt played such a badass since his role as the villain guarding the tied and bound Ivy Crystal in Operation Sex Siege. In that movie Ivy manages to get the better of him, whereas here he has free rein humiliating Kathy. Eventually the dudes release Kathy from the chain so that they can get stuck in and fuck her. The guys take turns at each end, ramming their cocks into her gob, her cunt and her ass. Sandy sees it all: theres a clever shot of her face reflected in the wing mirror of the Cadillac as she watches the action unfold.

Kathy gets an awesome double penetration, snug and hot and deep. Shes very camera-conscious as she surrenders her orifices, posing her body and turning her limbs for the benefit of the viewer. At the end of the scene the dudes take turns to spurt their cum, aiming for her open mouth. They chat shit while they do it, causing her to break into sexy little smiles as she looks up at them. Suddenly the dudes spot Sandy spying on them and they pull out their guns, but our heroine escapes into the darkness. Kathy drags on a cigarette and smirks while the gangstas chase Sandy, and her face is still glistening with pimp juice… the dirty bitch!


Scene 7: Sandy / Bambi / Kid Jamaica

Sandys in a panic but she manages to find her way back into the street. As she stands, bewildered, in the middle of the road, a police car pulls up behind her, its sirens blaring and its lights flashing. Theres a dramatic low-angle shot of the police car as it brakes to a halt the camera is placed behind Sandy and our view of the vehicle is directed between her parted legs and high heels. Sandy rushes over to the car and assumes the position. Two uniformed officers emerge, Kid Jamaica and Bambi, but they dont show any sympathy with Sandys plight, believing her story to be bullshit. Bear in mind that Sandy has left her blouse unbuttoned ever since the shower scene, with her tits, bum and muff on show - so its no wonder that the cops are suspicious! Kid Jamaica thrusts Sandy face down on the bonnet, and Bambi uses her baton to prod the suspects butt and inner thighs.

The two cops are turned on by their blonde prisoner so they decide to have some fun with her over the bonnet. Sandy loses her blouse and before long the officers are stripped out of their uniforms too. The dynamics of the sex in this scene are very interesting. Theres a lot of girl-to-girl action between Sandy and Bambi, with Sandy demonstrating once again her passion for pussy. She excites Bambi with her fingers and her mouth and she relishes Bambis randy reciprocation. A memorable part of the scene is when Sandy pushes the top of the police baton into Bambis anus, working it around to thrill and tease the girl. But when Kid Jamaica gets out his thick black cock its only Bambi who sucks on it and gets fucked. Sandy doesnt ever do more with that cock than spit on it and give it a handjob. At first I was disappointed by this, as Id hoped that the movies climactic scene would show Sandy penetrated by cock - saving up the best till last, as it were. But the scene is a hot one nevertheless, and in some ways its all the more intense with Sandy getting so close but never personally taking a cock injection. Sandy puts her face just millimetres from Kid Jamaicas prick - our heroine licks Bambis clit at the same time that hes fucking the girl, but shes not tempted to extend her oral attentions to the cock itself, even though its right in front of her! Sandy shows her expertise at handjobs, too, proving that she can jerk a cock as well as anyone despite not taking it inside her. She wanks off Kid Jamaica against Bambis face, evidently relishing her control of the action. Shes not cum shy, either. Once Kid Jamaica has shot his load into Bambis mouth, Sandys right in there, kissing the girl avidly and allowing a lot of the spent goo to transfer to her lips and chin in the process. Kid Jamaicas knob brushes briefly through Sandys blonde hair and a residual trail of cum lands on her shoulder. Despite all this involvement, Sandy doesnt ever pop that wet cock into her own mouth or pussy - not even for a moment - and whether the viewer sees this as a delicious tease or a bit of a let-down is really up to them.

Sandy gives the cops the slip and they drive off without bothering to put their uniforms back on. The coda of the movie is an enigmatic sequence set within a dingy cell, presumably somewhere inside the factory again. Sandy is huddled on the floor, dishevelled and sobbing. Theres a mirror on the wall and she gets up to look at her reflection. While shes staring a series of flashbacks from the movies different scenes appear in the mirror. Sandy stops crying and starts to laugh hysterically. She gives herself one last long look and then the shot fades out. I like this odd ending it reinforces the movies themes of voyeurism and intense emotional volatility. I wonder whether Sandy will ever manage to resurface and resume her normal, married life with love-rat James Brossman!


Bonus Materials

In addition to cast profiles and trailers of other Private movies, the bonus materials include a behind-the-scenes feature. This is a montage of clips from the movie and footage of cast and crew looking happy and involved with various technical preparations in the studio. Instead of any accompanying narration this feature has a rock music soundtrack. Thats fine because the images are self-explanatory anyway.

Recommended.
baskkk2003