Re: Ladies Who stare At The Camera while Having Sex: Katja Kean / Jennifer Dark




I've recently been captivated by Jennifer Dark, who perhaps comes closer than any other brunette to inheriting Natasha's mantle of the Private princess of foxy facial animation while fucking. Jennifer is hot enough when posing for still images, but when this extremely pretty girl performs her movie scenes she runs the full gamut of steamy facial expressions to camera, and with shameless abandon.

In chapter six of Gianfranco Romagnoli's 'Rock Hard' both Jennifer Dark and Stacy Silver positively gurn their way through the action as they are fucked stupid; they pucker, pout and purse their lips, bare clenched teeth and narrow their eyes in lustful intensity, staring and winking at the camera as if they know full well that the viewer has no more chance than their on-screen partners of getting to the end of this film without shooting a very messy wad indeed.




Originally posted by Flashboy:


I don't know Romagnoli. What would you recommend? And can it be easily found in the UK?

Now, girls who stare while having sex... I don't have a DVD of Fatal Orchid, but I do recall the first scene, where Katja Kean is taking a huge length of dick in her mouth. She sucks it with her eyes closed and then, suddenly, she opens them, transfixing the viewer with an electric blue stare. It's defiant, taunting, and one of the very best instances of eye contact between performer and voyeur. Many was the time I froze that moment, knowing, as Katja knew, that a torrent of hot cum would soon coat her pretty, feline features.




My reply:


I've looked up that scene on my own tape copy. I like the way Woodman's camera tentatively moves us closer towards a close-up of the blowjob, meeting that moment when Katja opens her eyes. Then the camera settles still awhile, leaving us entirely at the mercy of her gaze as she sucks away. Her attitude is like: I'm giving good head here; look at me doing it if you want - I don't mind - but I'm carrying on regardless.

We are transfixed by the sea-blue beauty of Katja's eyes for a few precious seconds, as you say. but then she closes her eyes again, two or three times, with the relaxed, luxuriant pleasure of a cat which knows it's soon to get the cream, and for the time being she's not bothered to look at us anymore...

Throughout all this, Katja's wide and generous mouth is sliding up and down, crammed full of rock hard cock. Her long, straight, silky blonde hair curves to her left all over the guy's tummy, where I'm sure it must feel divine; to her right, her hair is pushed back from her face, cascading smoothly down between her neck and shoulder. in the wider shots the sight of this long-haired blonde naked except for knee-length black boots is thrilling beyond belief.




Join me in a quick flick through Jennifer Dark's pages in Triple X magazine #54. Let's celebrate a girl who knows just how to stare at the camera while having sex!

1.

When Jennifer parts her lips, exposing clenched, perfect teeth, notice how her bottom lip curls sexily to the right. This gives her a unique look of lustful intensity.

2.

She levels her eyes at the camera in a defiant expression of passionate cock rage.

3.

Jennifer is the classic glamour puss on heat. When she brushes her mouth against a cock, she puckers her lips in an attitude which is teasingly midway between a kiss and a pout. Devastating!

4.

There are two views of Jennifer getting a DP, standing up. In the first shot, she captivates the guy drilling her pussy, with a gasp of mock outrage. In the second image, while both guys are completely absorbed in her, she has eyes only for the viewer. As the cocks pulse inside her, the beginnings of a smile play across her mouth and deconstruct the affectation of her semi-snarl: Jennifer is a nice, good-humoured girl at heart, but she just loves behaving like a filthy slut, getting all down and dirty!

I can't wait for Jennifer's latest magazine sets to appear on-line - and my copy of 'Sex Angels' is now on order!




I've seen Jennifer in 'Ocean Dream', a film shot in the Seychelles, where she shares a scene with the sweet-faced Sara Blue. The girls do a guy each, sucking and fucking on craggy terrain as the blue sea breaks against the rocks below them. This is a nice scene to stroke to on a lazy summer day!

In the 'Ocean Dream' 'Making Of' DVD Extra, Jennifer appears again, posing on the beach for a photoset with Lucy Lee and a guy wearing a baseball cap. This chap is pressing his stiffy against Jennifer's proffered butt. She looks a bit hot and bothered between the takes, and passes round a bottle of water. Together with Lucy Lee and Luisa Del Marco, Jennifer is briefly interviewed on the beach by a playful Alessandro Del Mar. Interestingly - unless I'm mistaken - Del Mar appears to be calling Jennifer by the name 'Eva'.

Jennifer also appears in 'Coconut Holiday', 'Caribbean Airline' and 'Coral Honeymoon'.

Re: James Bond Spoofing


An American porn producer did a Bond spoof with a series of movies about 'Jane Bond', in the late 80s or early 90s, but I don't remember much about it... I wonder at what point such parodies might run into legal difficulties.


The main menu page on the dvd edition of Private movie 'Lethal Information' has gun-barrel graphics all over it - looking strikingly similar to the gun-barrel logo which opens most films in the Bond franchise... and aren't those silhouetted dancing girls who perform against rippling colours in the sequence which begins every Private-Penthouse release a definite 'tip of the hat' to the seminal work on James Bond main title effects achieved by Maurice Binder and Daniel Kleinman? Here are some suggestions for spy-movie hardcore scenes for Private, with an indication, in each case, of the year to which it would be necessary to travel back in time to shoot the scene..

Ursula Andress (1962), stripped out of her bikini and fucked on the beach of a Caribbean island, underneath a mango tree.

Daniela Bianchi (1963), fucked in a luxury compartment aboard the Orient Express.

Honor Blackman (1964), fucked in a hay barn after a judo lesson. Shirley Eaton (1964), fucked in a Miami hotel room while painted top to tail in gold.

Claudine Auger (1965), fucked while wearing a snorkel in a skin-diving scene. Luciana Paluzzi (1965), fucked in leather costume as a biker-chick assassin.
(1965: stop press: a Thunderball hits the world of porn as Private is born!)

Akika Wakabayashi (1967), fucked in the back seat of an open-topped, white Toyota 2000GT. "From now on, you do everything Japanese style..." "Everything?"

Diana Rigg (1969), fucked on a ski run in the Swiss Alps. (In this case, and despite the freezing conditions, there's no fear that the stud involved will lose wood, as this particular guy, who's only here for a one-off, is totally wooden anyway!)

Jill St. John (1971), fucked wearing different wigs in a variety of colours - one wig for each position? - but in the end "the collar and cuffs match." Lana Wood (1971), fucked on a blackjack table in Las Vegas by a hero with plenty o'tool.

Jane Seymour (1973), fucked in costume as a tarot reader, then later tied to a stake and ravished by a voodoo baron and his pet python.

Britt Ekland (1974), fucked by a man with a golden dildo.

Barbara Bach (1977), fucked in costume as a soviet major. Caroline Munro (1977), 'fucked' when a heat-seeking missile smashes into her armed helicopter. (NB: Barbara Bach's character in 'The Spy Who Loved Me', Anya Amasova, had a code designation, 'Agent Triple X'. It seems that this code was picked up for use in 'Sex' magazine #5, in a hot photoset with Sveta.)

Lois Chiles (1979), stripped out of her NASA spacesuit for Private's next foray into zero-gravity fucking. (The hero raises an ironic eyebrow while making some lame, punning quip about "Uranus"!)

Carole Bouquet (1981), fucked during "a ride in the country" (while wearing Chanel perfume, of course!)

Maud Adams (1983), fucked in the ring - the circus ring, that is.

Tanya Roberts (1985), fucked in a daring shoot atop the golden gate bridge. (I think Pierre Woodman should return to Private to manage the filming of this tricky scene!) There's no sign of a 'Silicon Valley' in Tanya's cleavage!

Maryam D'Abo (1987) has the living daylights fucked out of her, to a cello accompaniment.

Carey Lowell (1989), fucked by a celebrity evangelist in his private seminary - "Bless your heart!" Talisa Soto (1989), fucked by an intruder in a wet suit aboard her guardian's boat.

Famke Janssen (1995), fucked in the kinky style of a scene from Pirate Fetish Machine, with plenty of girl-on-the-top action and many tight squeezes. Izabella Scorupco (1995), fucked over (in the American sense) by a computer-nerd colleague.

Michelle Yeoh (1997), fucked in a cat suit after much ass-kicking martial arts action. Teri Hatcher (1997), fucked as a married woman in a moody tryst with a secret agent ex-lover (this sounds like a scene for Antonio Adamo).

Sophie Marceau (1999), fucked in a kinky scene surrounded by instruments of torture. Denise Richards (1999), stripped out of her Tomb Raider-esque green bra top and tight shorts for a scene which proves that christmas cums more than once a year.

Halle Berry and Rosamund Pike (2002) come to blows in kinky S/M girl-on-girl action, but each gets fucked by the hero in scenes which break the ice... Private stud James Brossman would be the perfect choice for the job. Oh-oh-heaven!




More on 'Lethal Information', starring Grety:


In the DVD edition of 'Lethal Information' Grety appears in three scenes, and I remember seeing each of them in a video edition of the movie a few years ago.

In the final scene Grety plays a helicopter pilot and gets fucked by David Perry. In an earlier sequence, she has lesbian sex with Mina through the bars of a cell. In the first scene of the movie, she is discovered by Frank Gun and Mike Foster hiding in a workshop which harbours a yellow speed boat, and she gets a DP on top of this boat. First time round, Mike Foster is in her pussy while Frank Gun's up her anus, and then they swap round. It's a nice, snug fit, as both guys are big and Grety has a smooth, tight little ass. After the DP, the guys blast cum all over her face.

Re: Patricia Pallona

Patricia Pallona is a favourite girl of mine - and underrated, I think. I love that first scene in 'Guns and Rough Sex' where she plays a pizza delivery girl in pig tails. The close-up of Patricia giving a nasty, 'look-no-hands' blowjob while staring at the camera is amazingly hot. She's a dirty little bitch in the final scene, too, where she fucks the private investigator and takes a right messy load all over her face and hair.

There's also some horny footage of Patricia fooling around and flaunting her assets in this movie’s 'Report'. The commentator is spot on in her observations: "Along with having some fantastic tits and a great ass that's perfect for being penetrated savagely, Patricia has a long, thick and wet tongue that's ideal for licking and sucking cocks without stop." Patricia obligingly curls and wiggles her tongue for the camera and we see that indeed it is of freak-show proportions!

Please note that Patricia Pallona is also known as Patricia Diamond. Check out more scenes with this hot young slut in 'Sexterminators', another Kovi classic. But while we're still on 'Guns and Rough Sex' - what about eighteen-year-old Adrianna Rouso? Phwoaarr!!

Re: Angelica Bella



I'd had no idea that porn star Angelica Bella had fucked for Private, but there she is in Private magazine #111. Angelica is extremely attractive and her photoset is worth perusing in full.

I saw Angelica in about three non-Private movies in the 90s and I lapped up every second of her screen time. I think that Christoph Clark may have been behind a couple of those films. I loved the way Angelica went ever so slightly cross-eyed whenever she studied a massive cock bobbing under her nose - especially since her eyes had a bluey-green, crystal-clear beauty. Very Sandra Iron, that. And the way she would part her lips in a semi-snarl of lust reminds me pretty much of Jennifer Dark, especially when her lower lip curled slightly to one side.





Re: Studs



Originally posted by silvia-saint.megafan;

Do you guys remember Roberto Mallone? He starred in a couple of Private movies in the mid 90's such as Gigolo 2 and When the Night Falls; then later in Italian Flair. Not great looks but I liked him for his humour and his panache.


My reply:

That's funny... I was thinking of Robert Malone, too, ... and I was also remembering a couple of contemporaries of his, Yves Ballait and Jean-Pierre Armand. None of these studs had the perfect body, but they more than made up for this with their lustful enthusiasm and reliability in terms of getting wood and delivering the cumshot. More importantly, the fact that they were (variously) a bit overweight / balding / plain in their looks actually made it easier for the average Joe Punter to identify with them and imagine that they, too, might still be in with a chance of pulling hot young babes! This was an important part of the fantasy for many straight male viewers.

I think Pierre Woodman recognised this, as well, when commenting on his own Castings work-outs with amazing looking women: as a paunchy guy, thinning on top, he offered a point of identification for straight guy viewers who don't look anything special themselves! (Personally, I boast a full head of hair, but that's beside the point!) Besides which, silvia-saint.megafan is right in pointing out that many other Private studs are, by any standards, fit and good-looking.



Originally posted by Drakes Direct:

The Mya Diamond scene in Porn Wars Part 1. Mya Diamond who is very very goodlooking gets fuck by an man who is ugly and with a body in bad condition. that just doesn't work I think.


My reply:

Horst Baron? I'm neither gay nor bi, but I always think of him as a ruggedly handsome performer, very charismatic and able.




Hehe... It would be fun to see a series of 'Action Man' style figurines of Private studs available in the Private shop (although I've no idea who'd actually buy them!) How about a Frank Gunn action figure, kitted out with a perm, a baseball cap, drop-down baggy shorts and a billowing tropical tee-shirt - as he used to appear in his mid-90s videos? Or a James Brossman Action Man, complete with ejaculating penis? ("Simply funnel a helping of clotted cream into your action figure through the aperture in his plastic ass, squeeze his rubber balls and watch him shoot his wad!") As for 'Barbie' style figurines of Private babes... How about the three 'Sex Angels' in their cat suits, with bonus dildo accessories? Or a Stacy Silver figurine, with golden hair flowing down to her knees and a plastic tongue-piercing?("Pinch your Stacy doll's squeezable tits and hear her squeak, in an authentic Czech accent, 'Fuck me in the azz, big boy! Fuck me in the azz, big boy!'") Er... can I place an advance order now?

Re: Reality #21

There's a stunning ensemble of talent in 'Reality' #21: 'Fuck Me' - including a couple of blondes who are ascending the ladder of my personal 'priority choices'... Check out (i) Tiffany Diamond - she's the cover girl for 'Reality' #21, appearing with Nikita Rush and Tera Bond in a scene called 'Cock Knock' - and then catch (ii) Jane Darling, star of the final scene, 'The Road To Success'.

At the beginning of 'Cock Knock' Tiffany and Nikita look great in their short denim skirts, while Tera is sporting a pair of saucy tight hotpants. On the box cover pic, Tiffany gives us a pretty smile over her shoulder while the denim is tugged just far enough down to bare her ass cleavage and the twin globes of her firm young buttocks. The title of this release is very apt - 'Fuck Me' - as it blends seamlessly with the message put out by Tiffany's cheeky smile and pose. I've not enjoyed the look of a girl in denim so much since the star turn of anal-queen Ildico, way back in 'Private Video Magazine' #20, when her cut-offs were pulled down by a horny guy so that he and six of his pals could gang-bang her in the sun. (This scene with Ildico can be enjoyed on dvd, in the compilation released in 2000 called 'Private xxx'. Ildico can also be seen in her Daisy Dukes on the cover to 'Castings' 18.)

In 'Cock Knock', Tiffany appears to be genuinely enjoying herself, fondling and teasing her two girlfriends and playing and smiling all the time. The pizza-delivery guy arrives and the girls immediately include him in their fun. For me, Tiffany is the priority chick: what a joy it is to watch the box-cover butt of this cute babe wobble about as she fucks the pizza-delivery guy in the cowgirl position! Tera can hardly tear her hands away from Tiffany's humping ass!

'The Road To Success' was shot in Budapest and Jane Darling is a Czech girl, but the whole set-up of this scene has a rather American feel to it. Jane is a motorist who is stranded on the roadside because her car has broken down, and two likely lads pull over to offer her a lift. The American flavour is created, in part, by the 'bluesy' soundtrack of acoustic guitar and harmonica - but also by the prominence of yet another pair of tight denim shorts, which this time are on Jane's butt. There's a whiff of American attitude about Jane's foxy pose as she leans against the guys' car and allows the driver and passenger to reach out and paw and grope her tits and denim-clad ass. In fact, all this seems to be done in a style which is typical of the introductory material in scenes produced by one of private's major American rivals, headed by a certain Mr. Flynt. For Jane Darling, 'the road to success' is only a short drive to a luxury house, a well-appointed bedroom, an energetic dp and a very messy facial...

Re: Suzi Diamond / Moire (*) Candy



I got onto a Suzi kick after relishing her red-hot Private.com photoshoots and her 2007 calendar image. I recently bought 'Ibiza Sex Party', 'Paintball Warriors' and 'Open Legs, Open Minds' - just because of Suzi's billing in these films - and I've now got 'Ass Riders' on order, my first Moire (*) Candy. Suzi's 'Ibiza' scene with Toni Ribas is dynamite; but the scene which sticks in my mind most is the 'Paintball Warriors' one, where Suzi dresses and poses around in a sexy 'Lara Croft' style before the sex begins. Unbelievably cute! To my mind, Suzi is Private's hottest recent asset - she has a gorgeous face, a fuckable hardbody and a real sexual energy. I hope to be able to post more on my feelings about her scenes in due course.




Hi Moire (*) Candy

I see that you directed a movie for Marc Dorcel called 'Mafia Girl', with a cast that will be very familiar to your Private fans.

Private have an X-Off release coming soon called 'Mafia Girlz'.

I guess there's plenty of room to do different things with the same great concept for a porn feature, but I was wondering... would you see the X-Off title as a rip-off of your idea, or have you guys actually compared notes?

Best wishes, and thanks for all the hot entertainment.



Originally posted by Moire (*) Candy:


Mafia, Money, Girls and Sex are hardly original ideas.

I mean Godfather 1 2 3, Once a time in America, Goodfellas, Sopranos. Etc etc

Just watched X-Off's movie and liked it a lot and it's totally different than ours, other than a similar name.

How about a spoof of TV's 'This Is Your Life' format...?


A retired porn diva is surprised by a presenter (Horst Baron?) who hosts a studio show in which all of the woman's past co-stars and directors (guys and gals) take it in turns to walk on for a reunion greeting with her and to share a witty anecdote... Each porn celebrity's walk-on is accompanied by a screening in the studio of a clip from a scene they did with the diva, introduced by Horst. Of course, at the end of the show, the party in the studio would end up as an orgy...

Much as it would be wonderful to see, for example, "Nikky Andersson... this is your (Private) life!" I know it probably couldn't happen like that... but maybe the spoof format could be used with a current star (Tarra White?) playing a fictional retired diva with other starlets and studs playing her former co-performers... (a bit like the parody of 'reality TV' show formats in 'Sex Survivors 2', where Judith Foxx played the presenter.)




Re: Festive Cheer


A whimsy of mine for the festive season... feel free to sing along!


While porn fans browsed
The web by night
In search of some hot pics
A Private download stirred their loins
And upward stood their pricks...

"Stroke on!" they said,
For mighty lust
Had seized their porn-crazed minds;
"Great photos of hot babes appear
For us and all mankind."

"To us on Private's
Site this day
Are shown some babes so fine
That they will make us blow our loads
And this shall be the sign:

"The heavenly babes
We there shall find
With parted legs displayed;
And roundly fucked
By throbbing cocks
Which in their butts gets laid."

Thus gasped the porn fans,
And forthwith
Appeared a horny throng
Of angels taking cock and cum,
Who all squealed out their song:

"Much kudos goes to
Private's site;
May all this lust increase;
Stroke on henceforth
To first-rate ass
Shoot jizz and never cease!"

Re: Cadillac Highway – cameo by Ron Jeremy


It's not Skeeter-style gonzo, this time, but it's just as bland - no different, really, from a lot of other hum-ho American features pumped out by lesser lights than Private.

It's a shame that those good-looking babes in the first scene didn't get to suck on Ronnie's own fat cock... Has he finally retired from performing, altogether? I really wanted this movie to be better than it is: Ron is a giant of the porn industry, and the occasion of his finally crossing paths with Private ought to have been something special! "From 'Debbie Does Dallas' to 'Cadillac Highway'"? - I'd wanted to post a topic like that, but I found that 'Cadillac Highway' doesn't really justify a celebration.

Of the U.S. directors who've worked for Private, Nic Cramer, John Millerman, Michael Ninn and Michael Raven ('Delilah') remain my favourites: they all have that extra bit of pzaz which makes Private Private.

The challenge facing Private USA at present is surely that it's got to find a way of making its product 'a cut above', something which, once more, is distinctive, stylish and very, very sexy...

Sorry to grouch, but there it is! - On a more positive note, my mail order Special Edition copy of 'Millionaire' has just arrived, and I'm fully expecting to be cheered up by that!

Re: Tricia Devereaux / Porn Shutdown



Tricia Devereaux is much respected within the U.S. porn industry and by fans as a reflective, upbeat and articulate celebrity. In 1996 she did several scenes for Private with director Francois Clousot, and she was also prolific in her work as a performer with other companies in the U.S. Her Private scenes were originally released in the following videos: 'Private Stories' # 11, 14, 19, 20; 'Triple X' # 17, 18, 22, 23, 24, 25; and 'Summer Wind' 1 & 2. A number of these scenes have subsequently been re-released on dvd compilations. I have always enjoyed them, my personal favourite being 'Balls Game' in PS #19.

These days Tricia works on the production side at Evil Angel and enjoys a professional and personal relationship with John Stagliano. She has her own free website and often posts to the U.S. forum, Adult DVD Talk, where a transcript of her 2000 chatroom interview can be read. Tricia talks openly and intelligently about a number of issues, including her HIV status and how her involvement in the industry changed and has developed since she discovered she was positive in 1998. Tricia interfaces with fans and industry colleagues as a thoughtful and considerate woman with clear views and great integrity, and this sexy lady did much to brighten and enhance Private's video ranges at the time she shot scenes for them.





"Documentary: Porn Shutdown
Channel: Channel 4 (UK)
Date: Monday 25th April 2005
Repeated: Saturday 2nd September 2006
Duration: 1 hour.

"Channel 4 presents a season of documentaries showing the reality of life in the porn industry. The Dark Side of Porn season starts tonight with Porn Shutdown. April 2004 and the $9 billion American porn industry is brought to a standstill. Darren James, a middle-aged black porn actor has contracted HIV and it is unknown how many others in the industry he many have unknowingly infected. LA's San Fernando Valley or 'Pornoland' is in turmoil. Soon 21-year old Canadian porn actress and co-star of James, Laura Roxx, tests positive for HIV. The industry is temporarily shutdown and the shady under-belly of the hard core porn industry is exposed. America spends billions of dollars on pornography, yet it's an industry where 90% of the films made feature unsafe sex. Porn Shutdown reveals the darker side of the American dream and explores the downward spiralling of an industry that is becoming more dangerous in pursuit of pure wanton pleasure. The programme features revealing interviews with some of the young, beautiful and naive men and women who make thousands of dollars by putting their lives at risk to sell a fantasy."



I just saw the C4 repeat of 'Porn Shutdown', which was broadcast yesterday evening, and it seemed to me to be a mostly fair and sensitive look at the Los Angeles industry's HIV crisis of 2004. I’ve posted the following review of the documentary to a thread in the AdultDVDTalk forums:

Ex-porn star Dr. Sharon Mitchell and her medical project AIM were 'the centre of gravity' in this documentary. Sharon made many intelligent observations about the service she provides for the porn industry, its importance and its limitations. Her HIV screening process failed to give a positive result for Darren James and to protect his co-stars because, it seems, he was infected shortly before he took a test: Sharon pointed out the obvious, that her screening clinic can't offer performers a guarantee against HIV infection.

In terms of the documentary's 'narrative stance', there was a real sadness to the stories of the performers Darren James unknowingly infected - particularly Laura Roxx - although both the infected women who were interviewed (Laura and Meriesa Arroyo) appeared to be really strong in coming to terms with their HIV status.

The documentary took an approving line on Vivid's policy of using contract girls and condoms, and on the use of condoms in gay porn (as expounded by Chi Chi). But at the other end of the spectrum it was suggested that gonzo, where no condoms are used, is becoming increasingly debased and degrading. (Here, the documentary zeroed in on rape fantasies involving Afghan terrorists and Americans abusing Iraqi women: this, perhaps, is where the film made the sensationalist error of tarring all gonzo feathers with the same brush.)

Laura Roxx's allegation that T. T. Boy tried to intimidate her with stares when she returned to Los Angeles to be interviewed for the documentary does him no favours at all. (Apparently it was during the making of one of his Evasive Angels films that she was infected by Darren James.)

On the other hand, Max Hardcore and Rob Black both came across as charismatic interviewees. It's as if both men appreciated that by cooperating in the making of this film and agreeing to be interviewed, their personal charisma might, in itself, help mitigate what the documentary would have to say about the dark side of gonzo. (Black played out the role of an outrageous dude to comic effect, while Hardcore exuded gentlemanly charm - even when explaining how he uses pissing in his movies.) However, neither of these producers had any direct involvement with the 2004 HIV outbreak: interviews with or statements by Darren James or T. T. Boy would have had greater relevance here.

Kami Andrews contributed by demonstrating what 'double anal' is, and her flippant comment about her fears that one day her ass will fall out served only to back up, kind of, what Sharon had been saying about the increased health risks associated with this form of sex. (Kami has emailed me to say: "Actually, I got so much heat about that [my comment], people dont know how to interpret me. I'm glad you got it.")

The documentary suggested that not all the women involved in the sex industry face up to the risks they're running. The viewer really felt anxious for one young performer, Kayla Marie, who was seen waiting for her test result after having been placed in 'quarantine'... and the news that in her case the result was negative brought palpable relief. (The fact that James had come in Kayla's vagina, not in her ass, was mentioned as a point which possibly made the difference in her case.)

The evangelical right were briefly covered as porn's "true enemies", but mercifully the documentary didn't pretend that they have a voice in the debate which deserves a serious hearing.

Christopher Eccleston's narration lent restraint and decency to the tone of the documentary, and there was a sense of being 'on side' with the women while looking into the terrible sadness of the particular situation with the HIV infections and exploring concerns about the risks.

Re: Fan Fantasy Scenes



Originally Posted by Flashboy:

Here's an idea I'd love Private to consider. Why not create a sister title to the Private Reality series, called Private Fantasy? Each edition would contain six vignettes, the twist being that each story is inspired by a fantasy suggested by a Private fan?

Fans would suggest the premise for each tale (say, an air stewardess is fucked senseless in an aeroplane toilet), adding as much detail as they can imagine (she's a blonde, and we see the sperm trickle between her bum-cheeks and soak her torn nylons). The hottest fantasies are chosen and it's up to the director to bring these feverish dreams to life.



My reply:


'Night-Flight'

I'm reminded by this of a beautiful blonde model who fronted British Airways' advertisements of the late 1970s, dressed as an air stewardess. She can be seen in the ad on a billboard poster in the 1979 James Bond movie, 'Moonraker'. One of Bond's assailants crashes head-first into her mouth on the roadside hoarding, having been sent tumbling from the back of an ambulance on a stretcher trolley. The logo which ran with BA's TV ads - sung in cheesey 1970s style - was: "We'll take more care of you... Flyyyyy the flaaaaag!"

The fantasy of a flustered stewardess struggling to keep her uniform in place during the heat of an airborne erotic encounter is one to relish.

Back in the early days of Private video, an excellent stewardess scene called 'Night-Flight' featured in Private Video Magazine #8. This scene was shot in what appears to be a mock-up of a passenger flight cabin. A beautiful, dusky stewardess, Samantha Shamal, is leaning across the seats, fussing over the passengers, brushing against them and arranging blankets over their laps. She is wearing a neat white blouse, a tight grey skirt and stockings and suspenders.

The stewardess is shocked to discover that one horny traveller has got his prick out, and that Draxica Laurent, the giggling girlfriend sitting next to him, has been fiddling around with it. The stewardess waves a disapproving finger at the indulgent couple, but she looks more cute than cross and in no time at all Draxica has seduced her into joining in the fun. The scene develops into a threesome, enacted across the cabin seats.

Flashboy, there are a couple of elements to this scene that I'm sure you'd appreciate. (i) Although the stewardess eventually strips off, she keeps her clothes on for the earlier phases of fucking and sucking - so the uniform fantasy is nicely sustained. (ii) As the hot trio writhe and hump over their seats, the passengers to the rear of the action are completely oblivious to what is going on; they snooze or listen to personal stereos. This somehow adds to the erotic power of the illicit sex.

I defy any Private fan who's seen 'Night-Flight' not to remember this scene fondly when next fussed over by an attractive stewardess on a long-haul flight - but unlike the guy in the scene please show the hard-working girl some manners and keep your cock in your pants!



'Who Watches The Waitress?'

I like Flashboy's suggestion about the presence of middle-aged or elderly 'extras' on the restaurant set. There's something exciting about the idea of a contrast between the youth and beauty of the model playing the waitress and the age and plain looks of the surrounding diners.

Moli, who used to film for the German label 'Magma', is an example of a director outside the Private fold making regular use of older actors as voyeurs. In Moli's movies, various senior citizens would savour the proximity of hot young babes rutting under their noses. This sort of thing is much rarer in Private, though at the beginning of 'Sweet Baby 2' - Woodman's classic vehicle for Nikky Andersson - Nikky allows a silver-haired old gent to lick her minge and wank himself off at the sight of her open crotch. (The old guy's orgasm is a simulation rather than the real thing, though.)

As far as Flashboy's scene is concerned, it matters whether the diners would be (i) attempting to ignore the waitress's antics and maintain an air of indifference, or (ii) looking on with unashamed lust, with the gentlemen, especially, craning forward to get a better view. Either alternative would bring an extra erotic dimension to the scene.

One of the sweet frustrations of porn is that the babe in the frame is unattainable for the viewer; she exists only as an image of a prior event (the shoot), and she's not really there, in the flesh, however much we may desire her.

I think that what might appeal to us about scenes in which elderly men participate as voyuers is that their situation reminds us of this 'frustration about the unattainable', which is essential to porn.

The generation gap and a loss of physical attractiveness and strength prevent the elderly guy in our porn scene from being able to enjoy, for himself, the wet young bitch after whom he lusts; he cannot access the babe who tantalisingly fucks all the younger men before his envious eye. His 'frustration about the unattainable' mirrors our own, as viewers of porn, regardless of how old we ourselves might happen to be...



'Anal Underground'

My submission for the Private Fantasy range would be for a vignette called 'Anal Underground', shot in the mock-up of a carriage on a London Underground train.

It would be a hot summer's day and the train would be jolting slowly through the metro stations of the city centre... The leading man is standing at the end of the carriage, bored, clutching a rail with one hand and holding a newspaper in the other. At first the carriage isn't particularly crowded, but suddenly, at the next stop, several high-spirited Italian tourists are piling in - all of them girls, and all of them wearing crop tops and hot pants. The man's interest is aroused, especially when, as the train rumbles out of the station, the giggling gaggle pushes back in his direction, and one of the girls starts to rub her butt against his trousered crotch. To begin with, this lithe young bitch pretends that the motions of her arse are accidental, that she can't help but squash her buttocks against him amidst the excitable antics of her friends - but soon she's grasping his privates and stooping down to whip out his cock and give him an enthusiastic blowjob...

The other girls look on in merriment, encouraging their friend and applauding as the frenzied couple work up to an anal climax. The smattering of other, seated passengers in the carriage are paying no attention at all to what's going on; they're either nodding off, reading newspapers or listening to personal stereos.

I'd ask Romagnoli to direct this scene, since I'm sure he'd be able to handle the camera well in an intimate, crowded space. Or maybe Steve Perry could return to the Private fold to shoot 'Anal Underground'. In some of his Ben Dover scenes, the "chance meetings" between Perry and the girls occur on the London Underground system, in District Line trains or by stations in West London - although the sex itself doesn't take place until he has persuaded the girls to accompany him and his stud companions to an indoor location, a house or apartment.

I understand that fantasies about intimate contact on crowded metro trains are very big in Japan, with entire fetish nights devoted to the theme! Responsible porn does not set out to encourage anti-social behaviour in p ublic places; and so, as far as 'Anal Underground' is concerned, I would insist that there is a very obvious demarcation between the 'reality' of the set and opening situation, and the 'fantasy' of the performers' sexual behaviour. In this respect the style I'd want the director to go for is exactly the one achieved in 'Night-Flight'. In Private magazine #175, there's a horny photoset about a girl who takes a ride on a bus and ends up being gang-banged by a random assortment of fellow passengers. The design of this photoset is also in the spirit of what I would imagine for 'Anal Underground'.


I recently bought 'Reality' #22, 'Insatiable Sex Dolls', and discovered that Tom Herold had made use of a metro subway as a location for his scene, 'Club Underground' (Prague, May 2003)... Robert Rosenberg is a back-packer who has just missed the train. He is lured away by a sexy pair of fellow travellers, Tanja and Rade, who catch his eye on the station platform...



'Trevi Fountain Frolic'

I'd like to share a 'Private Fantasy' based on an iconic image of the sixties... the celebrated scene in Federico Fellini's 'La Dolce Vita' (1960) where Marcello Mastroianni and Anita Ekberg enjoy a night-time frolic in the Trevi Fountain in Rome. This is a perfect cinematic fantasy - romantic and sensual at once! The Vatican didn't approve - but Fellini was showing the kind of daring which would have appealed to Pierre Woodman!

My 'Private Fantasy' would be to take the place of Mastroianni and smooch in the fountain with a Private blonde who has charisma enough to rival Anita Ekberg - a star like Claudia Ricci, for example!!

Incidentally, I don't know whether Woodman ever actually shot a vignette by the Trevi Fountain - but it's the sort of thing he would have done for 'Private Video Magazine' or 'Triple X Video'!

The Trevi Fountain would be an ideal picturesque location at which to film a meeting between a pair of horny tourists - before they retire to a room in a nearby hotel and fuck each other stupid!

Re: Sex Under The Tower / Sex In Public



Originally Posted by Cirdan:


Hmm, didn`t Woodman shoot a scene under the Eiffel Tower once? Cant seem to remember where I saw that, perhaps it was in The Tower 1 2 or 3 which is hard to get now.



My reply:


The scene was called 'Sex Under The Tower' and it was released as part of 'Private Video Magazine' #20 (1995). The studs were David Perry and Jean-Yves Lecastel and the girl's name isn't given at the start of the scene. She had short brown hair. There is some footage of the trio wandering along the Champs-Elysees before they end up under the Eiffel Tower, where they have have sex on a bench. It looks to have been a freezing cold night and the two guys seem wary, as if the risk of being arrested was weighing on their minds. I guess this scene would have been shot at about the same time as the production of 'The Tower', which is also set in Paris. In terms of sheer horniness, I think that 'Sex Under The Tower' is trumped in 'Private Video Magazine' #20 by the classic anal scene 'Ildico', where a girl in pigtails and Daisy Dukes is taken by four guys.

The difference between a classic vignette like 'Sex Under The Tower' and the recent 'Sex In Public', by Toni Ribas, is that Woodman soon gets down to business with the fucking, whereas a lot of time is spent by Ribas revelling in the 'naughtiness' of a quick poke or a quick suck in pub-lic - and flirting with the risk of being spotted by tourists or shoppers. 'Sex In Public' is fun in the sense that you end up finding out what it might be like to date a mischievous nympho like Lucy Belle as your "girlfriend for the day" - and dating Lucy is possible if certain escort agencies are to be believed! But the film is flawed by the fact that the beautiful Belicia is present in a scene without actually getting fucked herself!


Overall, 'Sex In Public' is closer to the sort of thing that Ben Dover (aka Steve Perry) used to get up to: it trades as much on the comedy of embarrassment as it does on lust - with the unwitting passers-by as the patsies. And although it's fascinating to watch Ribas fooling around with his girls in Prague's Old Town Square, or at the Buda Castle in Budapest, it was far more daring of Woodman to mount a full sex scene under the Eiffel Tower, an iconic landmark which is closely and jealously policed by the French authorities.

'Pirates' or 'Jason Colt'?

An excellent question! I've gotta say it: overall, 'Pirates', the Digital Playground / Adam & Eve production, is far better. Jesse Jane and Devon are hard acts to follow when it comes to blonde American talent, and I love the enthusiasm with which Jesse giggles her way through the DVD commentary track. The special effects sequences in 'Pirates' are truly amazing, but they don't intrude on the sex.

Private's 'Jason Colt' is lavish and spectacular but the director makes the critical mistake of prioritising a flashy editing style over pornographic impact, ruining some of the key sex scenes through over-indulgent tricksiness. The bottom line is : if someone wants to see 'The Bourne Ultimatum' or 'Casino Royale' then those are the movies they'll rent. If they want to see a good porn movie then, sure, they may well prefer an expensive-looking, whizzbang feature-length porno to some nasty cheap gonzo, but at the end of the day they'll still expect to be able to settle down to some enjoyable masturbation without the director / editor continually getting in the way! It's all about striking the right balance...

Kapri Styles, one of the leads in 'Jason Colt', is among the sexiest stars out there. She's the black girl who gazes out at you from the DVD box sleeve with challenging haughtiness, looking as hot as any of the most celebrated R&B or hip hop chicks in mainstream media. Unfortunately her scene in the movie is one of those which gets messed around by pretentious editing, to detrimental effect, but Kapri's fierce sexual charisma is still a major draw and her act is smokin'.


Kapri Styles in 'Fire', her scene in 'Jason Colt':

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From Fan Fantasy to Film Production: 'Draculya, The Girls are Hungry' (Part 1)


The idea of a Vampirella parody is very appealing. I had a thing for this bloodsucking femme fatale when I was a lad, and I spent longer than was really good for me absorbed in repeated readings of her original mags, published by Warren Comics. The cover paintings held a special fascination for me, and I was endlessly thumbing through the artwork of Franzetta, Sanjulian, Enrich, Gonzales and Silke. I remember, for example, indulging in frequent contemplation of the cover of 'Vampirella' #18:

http://www.pixeltube.com/wmc/shtml/v18.html

This image would be a wonderful artistic cue for a scene in a Private movie entitled 'The Vampire Fuckers'. I would cast Steve Holmes as the cowering 'Count Cockula', and Ginger as 'Cuntella' - the star of the show. Ginger's name is, of course, a comical misnomer, since she has dark hair, just like Vampirella! In her movies, Ginger's look resembles closely the image of Vampi as realised on the #18 cover (but minus the fangs!). When watching Ginger's scenes, it's easy to see how casting her in this role would work amazingly well. If an audition is required, look no further than her scenes in 'Reality #19: Beds of Sin', and 'Body Shock'.

There are other possibilities for a 'fantasy' casting of Cuntella. Marvel at how closely Cristina Bella resembles the image of the vampire vixen as realised on the cover of the Silver Anniversary Edition of 'Vampirella of Drakulon'. And there’s always Mandy Bright: she has the ideal face and figure for a Vampirella character - the image of a retro Playboy model turned nasty with plenty of domina potential. (Mandy would have to keep her hair dyed black, though.)

As a pleaser for poster Bram, 'The Vampire Fuckers' would need to include a parody of the scene in 'Bram Stoker's Dracula' where the Brides of Dracula prey on Keanu Reeves' character, Jonathan Harker.

In 1992, Francis Ford Coppola incorporated to his 'Bram Stoker's Dracula' references to numerous 'moments' in the history of vampire movies throughout the twentieth century. For example, the highly erotic scene where the Brides of Dracula seduce and feed on Jonathan Harker is shot and edited as a kind of homage to the schlock horror of early 70s Hammer releases like 'The Vampire Lovers' and 'Lust for a Vampire' - but Coppola goes beyond even that, to flirt with some of the codes and conventions of porn. Coppola's scene is, of course, a 'softcore' piece, but as the three foxy bloodsuckers set about the entranced and helpless Keanu Reeves, Coppola manages to evoke the kind of intense intimacy that we find in blowjob or group sex sequences in 'hardcore' porn. Perhaps Private should now repay Mr. Coppola the compliment of an acknowledgement, with a hardcore parody of the scene... My casting choices for the three spooky undead harlots would be Donna Marie, Niky Belluci and Lucky. (Lucky appears in a scene in 'Cleopatra'. Can we see more of her, please?) Bobbi Eden, being Dutch, would make a superb Professor 'Pussy' Van Helsing!

As for directing 'The Vampire Fuckers', let Susi Medusa loose on it - with a big budget and, perhaps, a creative partnership with Romagnoli or Jose M. Ponce...?

Incidentally, the high standard and the style of the special fx make-up in the Private Ninn release 'Perfect' leave me wondering whether some of the make-up team hadn't also worked on 'Bram Stoker's Dracula', or at least used reference materials from it: the prosthetic mask created for Ninn's Demon in the dp scene with Jodie Moore is very close indeed to a mask worn by Gary Oldman when Dracula appears in his demonic incarnation. Was this the same make-up talent? (It's excellent work, which puts to shame the third-rate use of prosthetic make-up in Private's 'Eternal Love'.)

In 'The Vampire Fuckers', Cuntella's full name would be Cuntella Karnstein. This would be a nod to Sheridan Le Fanu's character, Mircalla Karnstein, as played, respectively, by Ingrid Pitt and Yutte Stensgaard in Hammer's 'The Vampire Lovers' and 'Lust for A Vampire' (both 1970). These were the first mainstream vampire flicks in which the focus of the undead's attention transferred openly from neck to nipple. Ms. Pitt, who still makes occasional guest appearances at vampire festivals, could perhaps be persuaded to reprise her role as Mircalla for a brief cameo performance in 'The Vampire Fuckers' - now that would be a coup! The opening scene would be set on the planet Drakkulon, where Mircalla bids farewell to her young protegee Cuntella and sends her on a mission to Earth to infect humankind with the curse of eternal lust and overthrow the evil dynasty of Count Cockula... I foresee a trilogy...

From Fan Fantasy To Film Production: 'Draculya, The Girls are Hungry' (Part 2)



Originally posted by Flashboy:


I'm certainly sold on it, Baskkk. Inspired work! Lovely to see you take an idea and run with it. Did you know that the sequence where the three vampire lovelies seduce Jonathan Harker was the pivotal moment in Bram Stoker's conception of Dracula? It was a scene that came to Stoker in a (presumably wet) dream, and so haunted him that he wrote the novel years later.

Hammer Horrors always gave me the horn as a lad, though I remember Dracula AD 1972 was a bit of a disappointment when I finally caught it on a late night telly showing. I'd convinced myself that Christopher Lee would be immersed in the world of 70s Soho - all strip joints and knocking shops, complete with groovy London tarts who would have stepped from the pages of Knave. Sadly it wasn't to be... but I'd seen a poster for the movie where a naked, muff-flaunting chick was sprawled on the bonnet of a sportscar as Drac leered over her... Bloody posters, eh?

Private could distil the horny essence of Hammer brilliantly, especially with their European sensibilities, not to mention babes. I'd love to see a hardcore return to the girls' finishing school in The Vampire Lovers!



My reply:


'Dracula AD 1972' is actually amongst my favourite Hammer horrors. Christopher Lee looks absolutely depraved in it - and although it's true that after the pre-credits sequence he never roams beyond his lair at the desanctified church, the scene in which he subdues and gets stuck into the hysterical and whimpering Laura (Caroline Munro) is one of the most vivid instances of perversion in the entire Dracula series. As for the contemporary milieu, Jessica Van Helsing (Stephanie Beecham) and her bohemian friends hang out in a fashionable Chelsea bar, so we do get some sense of a swinging seventies London in the scenes with them.

Young, blonde and buxom Linda Hayden plays Alice in 'Taste the Blood of Dracula', and she's my favourite Hammer starlet. I certainly have, before now, jacked off to the bedroom scene in which Alice, attired in a revealing nightdress, is threatened with a whipping by a drunken Victorian patriarch and then 'turned' by the evil Count.

'Scars of Dracula' includes a farcical but arousing scene in which a comedy burgomaster chases his scampering, naked daughter to her bedroom, intent on punishing her for her promiscuous behaviour, while she holds on desperately to a bed sheet as the only means of concealing her boobs. (Very 'Benny Hill', all this.) But the sexiest Hammer Dracula of them all is the last one, 'The Satanic Rites of Dracula', which at times really pushes the envelope in the direction of soft porn.

Flashboy, I know from reading another topic in the forum that you have a thing for twins. I wonder if you've ever seen Hammer's last instalment of the Karnstein trilogy, 'Twins of Evil'. Madeleine and Mary Collinson are two gorgeous young models who play orphaned Vienesse twins. They spend their time between attempts to avoid a whipping from their disapproving Puritan uncle, and speculation about the intentions of Karnstein's handsome but debauched Count. The twins are two more characters I would suggest for inclusion in Private's very own vampire movie...

It occurs to me that, despite all the obvious differences, there are certain interesting similarities between much porn production and how Hammer was working as a relatively small, low-budget studio: e.g. efficiency in using the same locations and sets, and much of the same cast, for different movies made within a single production block; use of 'contract talent'; and an unashamed re-hashing of established genres, with a willingness to give the audience exactly the sorts of set-ups, cliches and climaxes they had come to expect and were paying to see. Hammer films certainly achieved a popularity with their target audience, and this represented a real commercial success when set against the often low costs of production. Hammer was an example of a small-scale but successful British adaptation of the classic 'studio system' of the golden age of Hollywood production. It is sometimes said that nowadays, in a world where the practises of mainstream movie-making have changed, the only companies which really continue to use that old 'studio system' are the porn producers - and they use it with enormous success.




Originally posted by Madboy:


I've heard on the grapevine, that Private (with Susi Medusa) have been writing and projecting a vamp themed movie over the past months!

Susi tells me she has the girls, the digibeta crew, the original screenplay ready, the original soundtracks, and also the real ancient castles in East Europe where to shoot it!!!

Keep giving your hot support to get it off the ground & who knows, it may happen yet! How cool would that be?

I'll keep you posted with any updates...




My reply:


Aha... great minds are clearly thinking alike! This is good news indeed! I wonder whether Susi and Private have considered shooting among the ruins of the castle of Elizabeth Bathori, the original 'Countess Dracula'. This Slovakian site is extraordinarily beautiful, situated among green hills and forests. It would make an ideal exterior location! As yet the castle ruins have been under-exploited by the media, and there's been no major development of tourism around the neighbouring town - despite the symbolic significance of Elizabeth Bathori to we goths!

There's always the Transylvanian castle of Vlad the Impaler, the Count himself, but that's a more obvious location, surrounded by cheesy tourist activity. Hungary is a country which would give plenty of options, as it has no end of castles...

I see that Gazzman's 'Surf Fuckers', which I've just ordered, includes a cameo by Eileen Daly, who's best known for her starring role as a cat-suited vampire assassin in the mainsteam cult goth flick, 'Razor Blade Smile' (Jake West, UK). I'm very much looking forward to seeing 'Surf Fuckers', but it will of course be a 'sun, sea and sand' experience rather than a darkwave one. Now that Eileen's touched base with Private, maybe Susi Medusa could invite her to do another cameo for us, this time in Private's proposed vampire movie - a genre more familiar to Eileen and her fans.



Looks as if that long-awaited movie is Coming Soon...

Susi Medusa's Pirate movie, 'Draculya, The Girls are Hungry', as previewed in the Private Shop...

"The girls are hungry for sex, so watch out, they are cumming to suck you dry! The latest release from the Pirate collection has 6 out of this world sex scenes. With their evil sex minds, the vampires use their dungeon as the lair of pleasure to bring all your fantasies to life. Directed by Susie Medusa, one of the top femaleâ??s in the industry, and with the kinky 15th century dungeon as the setting for some of the darkest raging. A masterpiece of gothic passion and hardcore lust, the story of eternal twisted vengeance and of female perversion will live on forever. Lya and Hilona want to dig their fangs into the hard meaty flesh of the Count as he slays them from behind. Cum and join all your favourite stars, Ellen Saint, Julie Silver, and Liliane Tiger only some of the stunning women clad in festish attire that you will find inside Draculya."

From Fan Fantasy To Film Production: 'The Matrix'



Originally posted by Kooch:


I want to see a Matrix Reloaded parody using latex or leather oufits.



My reply:


I'm making a rather late contribution to this topic, but I've only recently revisited 'Matrix', and I've yet to see 'Matrix: Reloaded' (I've just bought the dvd).


THE MATRIX

My re-casting suggestions are as follows. I'd keep the parts the same gender as in the original, except for the agents.

TRINITY - Cleare ('Fever'/'Gladiator 2'/'In The Arms Of Evil'/'Reality 7: Wild Adventures' /Mag: Sex #37). Check out Cleare's look in 'Fever' for justification of this casting suggestion: the short dark hair, the angular but feminine face, the slender but toned bare arms, the cute butt.

DUJOUR, the bunny girl - Laura Angel. I know that Laura Angel would make a great agent, but I'd cast her in this role instead as there's too close a resemblance between Laura in fetish mode and the actress who plays Dujour in the original, Ada Nicodemou, for there to be any other choice...

SWITCH - Suzan Nielsen
ORACLE - Bettina
PRIESTESS - Bagheera
LADY IN RED - Stacy Silver
AGENTS - Cassandra Wild, Julia Taylor, Sandy Style

A scene i'd like to see is a variation on Daniel's idea. Neo, Morpheus and the other male crew members are plugged into their chairs aboard the Nebuchadnezzar, unconscious, while being fellated in turn by Trinity, who is dressed in her skin-tight latex. Meanwhile, the crew are in the matrix, having a breathtaking, all-action orgy with the trio of nasty blonde agents, as cast above. One after the other, each member of the crew shoots spunk over an agent in 'bullet time', and as he does so there's a cut back to the Nebuchadnezzar to show him writhing in his chair and cumming all over Trinity's face as well. In each case the blip on the pulse monitor goes wild...

Unlike in the original, Mouse would get to fuck his 'Lady in Red'. He would keep the line: "To deny our own impulses is to deny the very thing which makes us human."


'MATRIX: RELOADED'

Re-casting suggestions:

PERSEPHONE (MONICA BELLUCI) - Mercedes (aka Eva Hot. Private mags: Triple X #33; Sex # 24, 28.)

BEAUTIFUL WOMAN AT 'LE VRAI' (TORY MUSSETT) - Gabriella Bond

Neo, Morpheus and Trinity sit opposite the smug Merovingian and his beautiful wife Persephone at his table at 'Le Vrai'. Merovingian has prepared a demonstration of the theory of causality - every action causes a reaction - by contaminating a chocolate dish which is served to a beautiful blonde who is sitting, with two male companions, at a neighbouring table. Merovingian has mixed into the woman's dessert a computer program designed to disrupt her poised, bourgeois composure and cause her to experience orgasm, right there in the restaurant: "First, a rush... heat... her heart flutters... You can see it, Neo, yes?... She does not understand why... Is it the wine? No... What is it, then?... What is the reason?... But soon it doesn't matter... Soon, the why and the reason are gone... and all that matters is the feeling itself!" Inside the blonde's knickers the floodgates suddenly open - it's a computer-generated, explosive orgasm! Flustered, the woman dabs her mouth with her napkin and leaves her table for the ladies' room...

At exactly this point I would cross-dissolve 'Matrix: Reloaded' with Private's own 'Sweet Baby 2', and I would run this porn classic from the scene in the restaurant where Gabriella Bond, seated opposite a male companion, has caught the eye of a lone diner and is crossing and uncrossing her shapely legs in an agitated state of sexual arousal. She follows the lone man into the gentleman's room and reaches for his cock while he's still standing at the urinal. She sucks and fucks him there and then. The guy shoots jism over Gabriella's face, neck and shoulder, and she kisses and licks the tip of his manhood. Finally, with spent cock in hand, she switches her smiling gaze to the viewer: she blinks; she pouts; she tilts back her blonde head and bites her lower lip mischievously, knowing full well just what a dirty little slut she is being! Here I would cut back to Merovingian as he concludes his pretentious commentary: "Out of control! Causality... There is no escape from it... We are forever slaves to it..."

As Merovingian leaves the table, Persephone asks where he is going. "We are all victims of causality," he observes, "I drink too much wine... I must take a piss... Cause and effect." But Persephone has guessed that her husband is, in fact, heading to the ladies' room, which is occupied by the blonde-on-heat. Later, Persephone challenges Merovingian: "How about that lipstick you're still wearing?" He protests his innocence, rubbing his mouth: "Lipstick? Lipsick? What craziness are you talking? there is no lipstick!" Persephone, arching a brow, retorts knowingly: "She wasn't kissing your face, my love..." By this point, however, Persephone has already sought an infidelity of her own...

Persephone leads Neo, Morpheus and Trinity into the gentleman's room. Turning to Neo, she insists that she will give him what he wants - the location of the Key-Maker - only if he will kiss her in return. As Neo's lover, Trinity is bristling with resentment, but Persephone persists: "I want you to kiss me, as if you were kissing her." Neo removes his shades and obliges.

This is another moment where I would part company with the 'Reloaded' film - this time in favour of a fantasy porn sequence. Persephone, played by Mercedes, would bend to her knees and fold back the material of Neo's cassock-style garment to expose a massive, rigid cock. Her head would bob up and down as she fellated him, and her long, straight dark hair, hanging down her back, would shimmer as she moved. Trinity would look on, clenching her jaw with jealousy. There'd be a close-up of Trinity's squirming, latex-covered crotch as she stood there, watching, powerless to intervene. Neo would complete his end of the deal by accepting a tit fuck from Persephone, his cock enclosed within this femme fatale's deep cleavage as she pressed her breasts together. He would spurt hot jism all over her tits and neck, and the contours of her body would shine with sperm under the bright lights of the lavatory...


SEX CHASE IN GRAFFITI LAND

At last, we have it... a deliberate, unmistakeable and very effective parody of the 'The Matrix', but only for a minute or so! Check out the beginning of Lucrecia del Toro's 'Sex Chase In Graffiti Land', starring Tiffany Hopkins and Andy Elias, in 'Private XXX: Fuck My Ass!!!'. The scene was shot in Barcelona in November 2004, some months after this thread was started. So who knows? - maybe that opening minute is a response to forum requests to see some 'Matrix' stylings in Private! It's an excellent scene, by the way, with some exciting and original shots of the sex, particularly the doggy position!

Re: Triple X video #4

In 'Ania', when Richard Langin is doing the girl doggy style, I like the way the breaking waves crash around them, and how he smacks her rump and suddenly grabs her hair to pull back her head before inserting a finger into her mouth. The finish is truly classic: Lecastel's huge, wet cock is spanking one side of Ania's face; she is energetically wanking Langin's spent member against the other side of her face for every last drop she can get; her sucking mouth is continually busy between the pair of them; and, as she grins rapturously and shows her perfectly white teeth, that creamy dollop of spunk rolls down from her lips to the chin.

On the same tape, foxy brunette Gaby - best known for her role as the bitch in 'the Gigolo' - performs a hot lesbian scene with blonde bombshell Evy. In the tape's last scene, the sumptuous Laura Palmer is stripped out of her khaki gear for a good pumping in a military tent, though she keeps on her boots throughout...

I feel quite nostalgiac for 'the Woodman era' of Private video. There were always other directors for private, of course, but Woodman set the standard. There were fewer video ranges than today - we had 'Private Video Magazine', then 'Triple X' and 'Private Stories' as well as the classic feature-length films - so I think, as Private fans, we were all getting off on the same material as each other to a greater extent than is the case now, where there is greater diversication.

Re: Aletta Ocean / Cosmetic Surgery

Aletta is a scene-stealer, for sure. She has a smiley, girl-next-door quality - almost as if she shouldn't BE a porn star - and it's always been the models with that sort of quality who have made the biggest impression. Thank goodness, she IS a porn star...

We've been here before... I remember the dismay and mortification when Cristina Bella, another near-perfect 'girl-next-door' type, had cosmetic surgery which seemed to make all her natural appeal evaporate. In her case, she had surgery to her face as well as to her boobs - a sad mistake! I'll wait till I see 'Cherry Jul's Extreme Gangbang Party' and '6 Nurses Take It Up The Ass' before I make up my own mind about Aletta's cosmetic new look.



Re: Angel Dark / Click

I love Angel Dark's scene in the newish Private DVD release 'Click'. She plays a haughty babe lounging in a cafe who gives a really contemptuous, dismissive look to a likely lad from the north of England who chances his arm with her by sitting alongside her and sending off signals. But after he's zapped her with his magical 'click' remote control - a device designed to transform even the coldest woman into a raging nymphomaniac - she leaps on him and the heat is on. Sex on legs!

Re: The Tower



Coralie, to my mind, is 'the face' of The Tower - though it was another model, Aliza, whose character threaded the story together. As for Lisa Harper, her freckles, blue eyes, blowjob stare and anal speciality stick in my mind from the good old days of Private video.

Although Pierre Woodman left 'The Tower' murders to the imagination, stopping short of depicting them directly, I remember thinking that the 'slasher' menace and a shot of the bundled, disposable corpse of a girl victim were rather nasty, and gratuitous in the sense that they were 'end-on' to the sex and inessential to the movie's value as porn.

On the other hand, I'm not against stylised representations of violence or gun-play in Private movies when these are parodies of mainstream movie genres and wittily woven into the erotic appeal of the film. In Nic Cramer's 'Operation Sex Siege', which is obviously a take on 'Under Siege', 'Die Hard' and 'Speed', etc., there is a deliciously sadistic moment involving the delectable Ivy Crystal, her spent captor and a hand grenade... having just emptied the guard's nuts for him, and while he is still in a state of post-coital rapture, this angel-faced minx wickedly withdraws the pin from a bollock-shaped hand grenade attached to the belt he is wearing, nimbly makes good her escape, and leaves him to his doom. He realises the trick which has been played on him all too late, only a couple of seconds before he is blown up in a white flash! Naughty, but nice... a moment of existential truth for the guy, in which the realities of sex and death - his death - coalesce.

The more I think back and remember the girls and the sex in 'The Tower' trilogy and 'The Golden Triangle', the more I wish these classics were re-released in some form, in DVD format. Okay, the offending narrative preliminaries and links might now need to be trimmed or cut out altogether, but couldn't all the luscious hardcore action which is at the centre of these movies be played around with, MTV style, and re-released in newly designed versions - chic and sexy but inoffensive? Would Woodman mind?




Originally posted by Nerdgirl:


The Tower is not in our back catalogue simply due to the location. I can't really get into the details, but the story is not quite as exciting as it has been deemed...




My reply:


In years to come, the deleted 'The Tower' dvd may become a rare collector's item, fetching a fortune on eBay... Anyone with a copy want to auction off theirs right now?


From 'Sweet Baby' to 'Sweet Lady'...

It's been interesting to read all the speculation about why certain Pierre Woodman titles are no longer available in their original form, and to consider why these films might be in need of censoring or re-editing. A lot has been written about 'The Tower' and 'The Golden Triangle.' Nerdgirl has told us that in the case of 'The Tower' the problem was to do with the location, and that the reason for the film's withdrawal is less sensational than we had all conjectured. In the case of 'The Golden Triangle', on the other hand, it appears that the problem was a thorny one to do with a girl in the cast, Natacha.

I finally got around to ordering 'Sweet Baby' vols. 1 and 2 this week, and when these DVDs arrived I was interested to note that on the box covers the wording of the title has been changed to 'Sweet Lady'. I assume that this alteration has been made to eliminate any possibility of a dubious or undesirable ambiguity: out of context, "baby" might be misconstrued as suggesting under-age...? If I'm right, it's reassuring that Private is taking this super-sensitive approach to a revised presentation of its products: this shows that the company is serious about its responsibilities as a world leader in the production and distribution of 'civilised' porn.

That said, I couldn't help wondering whether 'Sweet Babe' might have been more appealing than 'Sweet Lady' as a replacement title. The word 'babe' doesn't have the same ambiguity that 'baby' might have - it is less vulnerable to being misconstrued - but it does sound pretty cool. Then again, 'Sweet Babe' lacks that catchy third syllable which 'Sweet Lady' preserves...

Any which way, Nikki Andersson rocks!

Sweet Lady? As Madison Avenue put it in the lyrics to their hit single:

"Don't call me baby
You got to know that that will never do
You know I don't belong to you
It's time you knew I'm not your baby"




Originally posted by Laserdude:


You can get the tower 1 on dvd, but 2+3 come in one, but don't have all the scenes. Some of the best scenes are missing, like the one with the asian girl.



My reply:


I recently ordered and received the deleted Private DVDs 'The Tower' and 'The Tower 2 + 3' from an American retailer, Adult Video Universe. Both DVDs were produced in 2000, and I was surprised and delighted to discover that these releases were still in stock. The Adult Video Universe site includes customers' reviews of titles on sale, and the following review of '2 + 3', together with comments already posted in this thread, left me with no illusions about what I was buying. 'The Tower' DVDs are edited versions of the original VHS releases, and certain scenes with good-looking models and great sex are not included. I remember these missing scenes from old VHS copies, but even so I've been thrilled by the opportunity to acquire the edited DVD editions. The 'surviving' scenes are premiere-league Woodman, and after all they make up, by far, the greater part of the original movies. It's been fun to watch again the scenes with Alyssa and Monique Covet - in the light of Woodman's recent 'A Life In Porn' reminiscences about casting for 'The Tower' and his personal hotel-room frolics with these girls!

Footnote:

An 'Adult Video Universe' customer review of the (now deleted) DVD edition of 'The Tower 2 + 3':

"Private have made a monster mess of this release. The sequels to The Tower are great movies, however the first 20-25 mins of Tower 2 is mysteriously missing [ - a segment] which involves [characters who are meant to represent] a mother, father and grown-up daughter ... . The next monumental mess up is the 'English' audio track, which is in fact the original French audio track with the occasional commentary by an unknown woman. There is no English subtitle option. The original release on VHS had a French audio track and the best English subtitles ever given to an adult movie. These make the film and with these missing the film is ruined - after all when was the last time lines like 'I'm gonna sweep your chimney white girl' or 'This hole's reserved for daddy' appeared in an adult movie you saw? It's only redeeming feature is the excellent print quality. A very sadly disappointed Tower fan."

Re: Nikita Denise in The Center Of Sex

Nikita gives an amazing performance in dvd scene selection 2 of The Center Of Sex.

The context of Nikita's scene is that Mark Davis is introducing Toni Ribas to the porn industry. At the beginning of the scene, Mark is sitting next to Nikita on the sofa and he pays her a compliment: "Yes, she's one of the best girls in the business, aren't you darling?" Nikita looks utterly feline in her pleasure at this acknowledgement; she beams at Toni with her wide, generous smile, shrugs her shoulder at him invitingly and pats her hair. Mark asks Nikita whether she likes the look of Toni. She expesses her approval, and her deep, husky voice is completely seductive. She puts her finger to her mouth, crosses over to Toni and delivers the line,"I luuuurve big boys" in a thick, exotic accent and with full-throated gusto, smiling all the while. Some smooching ensues.

GregandSarah's choice of fourteen Private kissing pics has impressed us all and made it onto Private.com for Valentine's Day, but if we were to have an equivalent list of top kissing moments in private movies, then Nikita's tongue action when mouth-to-mouth with Toni would be a chart-buster too. Nikita may have the sweet facial features of a pussycat, but her probing tongue is like the tongue of a serpent or a she-devil: it is long, tapered and demonically wicked.

The blowjob sequence which follows gives Nikita ample opportunity to showcase her versatility with her tongue, but her most awesome talent is her ability to deep-throat. She definitely means business: whenever she releases a throbbing cock from her mouth to catch her breath, it breaks free with a wet popping sound and a bobbing motion which leaves us in no doubt that it has been well and truly sucked. By now, both guys are in on the action: during most of the fucking which takes place in this scene Nikita is therefore able to continue to stuff her mouth with cock - with one or other of the pricks - until we get to the dp.

The dp in this scene is a sight to behold. Both men penetrate Nikita to the hilt, simultaneously plumbing her in a steady rhythm of shared pleasure. Ever one to involve the viewer, Antonio Adamo directs the performers into a final dp position which enables Nikita to look to the camera, past Toni's back, and engage us directly with a snarling expression of lust which more befits a tigress than a sex kitten.

The cumshot is out-of-this-world: spurt after spurt curls towards Nikita's mouth. She extends her tongue to its full length so that it breaks the fall of every creamy dollop and causes the sticky white spunk to slip and slide over her lips and teeth or drop heavily down and splash against her tits. Then she turns her gaze to the camera and sucks the pricks in turn, determined to milk them for all they're worth. At 12 mins. 52 secs., having just applied deep suction to each cock, she suddenly releases from her mouth a gooey trail of residual cum which plummets squack between her tits to a destination out-of-frame, possibly in her lap. Before the fade-out, Nikita guides the red head of Toni's cock to her nose and puckered lips and shakes her face from side to side so that his bell end rubs against her gorgeous features and affords him a final round of incredible sensations. What a girl!

Re: Gothic / Faust: The Power Of Sex



I wondered whether any of the Private girls go for gothic looks, fashion, music and clubs as part of their lifestyle preference? Possibly not - as the goth scene is not as big in eastern Europe (from where many of the private girls hail) as in the west.

Michael Ninn definitely has a gothic sensibility. He is interviewed about this in Gavin Baddeley's 'Goth Chic' (Plexus, 2002, p.243).

As for Ninn's Private work - 'Perfect' has some absorbing goth themes, though it's not a fully gothic film; and there are some wonderfully moody ethereal tracks in the incidental music (which are isolated for us as an audio bonus in the 'extras' disc. Check out Track 3, called 'Too Far Away').

Michelle Wild - now with longer hair than in her earlier appearances - has a fantastic latex fetish-goth image in her photoset for 'Sex' magazine #45. With raven black hair and heavy black eyeshadow, she looks sexily vampiric and better than ever, in my opinion...




Belladona as Walpurga in Jose M Ponce's 'Faust: The Power of Sex' gives, arguably, Private's most accomplished performance in the field of gothic porn.


Scene selection 7:

In the extra materials 'Report' for this dvd, Nach Vidal (Mephistopheles) and Toni Ribas (Faust) are interviewed at length about their views on porn and each other's performances. Toni Ribas has interesting comments to make (if a little unclearly) about how, to his mind, Jose M. Ponce is beginning in this movie to achieve a balance between two genres: (i) the realism and authenticity of "good sex" as found in "gonzo" style porn, and (ii) the "aesthetics and splendour" of the sort of porn production which has all "the resources of cinema" at its disposal. Scene 7 illustrates how Ponce is working towards the best of both worlds.

Mephisto introduces Walpurga as the embodiment of his power, the power of sex, and we see her at work with two guys - on a set dressed in crimson and chains. Throughout the movie, dark Walpurga has 'big hair' and heavy eye make-up in the style of a goth. For this scene, she is wearing a costume comprised of green bits which dangle like the tendrils of a triffid and which sway loosely about her fulsome body as she performs. The sex begins with a blowjob sequence in which Walpurga crouches between the two guys and works her head between their cocks in a frenzy of alternation. we see at once the sort of thing which Ribas is talking about when he praises the emphasis on messy realism which is found in the work of Americans like Andrew Blake, Joey Silvera and John Stagliano: Walpurga is deep-throating each man completely, then bobbing her head up and down their pricks at a maniacal pace while they, for their part, make thrusting, lancing motions at her mouth. Long trails of saliva hang between her face and their cocks, and she lets the goo which has gathered in her mouth during her deep-throating activities drop down from between her red lips. Walpurga is played by Belladona, who is an American girl, and it is clear from this scene that she is no stranger to the American art-form of deep-throating! After this, she continues to suck on one guy while bending over so that the other guy can do her doggy-style. As this is happening, her haunches, thighs and buttocks are angled towards the camera - and we can relish the ample expanse of firm flesh which makes up Belladona's butt! The rest of the scene is a tit-bobbing, ass-busting exercise in pure pleasure.


Scene selection 8:

For this scene, some black mesh finery is added to Belladona's light gothic costume, and she fellates Toni Ribas in a much gentler, more measured style than the messy approach she took with the guys in the scene before. Before long, though, Nach Vidal is also involved in the action, and Belladona is getting an energetic dp with the two lead men of the film. In the 'Report', there's an amusing argument between Vidal and Ribas about what they think of each other's approach to the girls in the sex scenes they do, and despite their obvious friendship there are times when this quarrel gets a little uncomfortable. If you've seen that interview, there's an extra fascination in watching them share Belladona for this dp! but the scene has a surprise ending: in struts Sophie Evans, wearing a fetching dark wig; while Vidal and Belladona continue to canoodle, Sophie stoops over to suck on Ribas and finish him off with a brisk, highly watchable handjob! Just listen to his groans of Faustian ecstasy!

There's much more of Belladona in this twelve-scene gothic masterpiece, but i've got writer's cramp (yes, i said "writer's" cramp, not "wa..." ... oh, never mind!)

Incidentally, Nach Vidal makes a reference in the 'Faust' 'Report' to another film made by Jose M. Ponce called 'Gothix'. Anyone know anything about this?